A visit to Zeiss and thoughts on the Milvus line

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The mothership

I was fortunate enough to spend the last three days at Zeiss with Lloyd Chambers (update: his blog entry is here) – with a level of access that I suspect that has never been granted before to independent external parties. They were gracious and first class hosts – I don’t think I’ve had that many types of non-alcohlic beer before. We asked every question we could think of and more, and received answers which we had never expected and at a level of depth that has left me deeply, deeply impressed with what the lens team is doing out in Oberkochen. This may seem like a strange way to talk about the new announcement, but bear with me for while; there is method to the madness. :)

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One place available: Cinematic Masterclass with Zeiss: Hanoi, Jul 21-26

_7017983 copy Due to one of the participant’s work commitments, I now have one place open for the Cinematic Photography Masterclass with Carl Zeiss in Hanoi, from 21-26 July – click here to book and for more details! MT After the jump, a few snippets of thought from previous Masterclass participants… [Read more…]

Second session open for the Cinematic Masterclass with Zeiss: Hanoi, Jul 28-Aug 2 2015

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Due to popular demand, I’m taking bookings for the second session of the Cinematic Photography Masterclass with Carl Zeiss in Hanoi (click here to book and for more details) It will run from 28 July to 2 August and follow the same format as the first one – hope to see you there! MT

After the jump, a few snippets of thought from previous Masterclass participants…

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Announcing the Cinematic Masterclass in collaboration with Zeiss: Hanoi, Jul 21-26 and Jul 28-Aug 2, 2015

_7016973 copy The fifth Masterclass will also be the first specialised one, on a topic I’m frequently asked to teach: the cinematic style of photography. It will take place in Hanoi, Vietnam, from 21-26 of July 2015 inclusive. Better still, Zeiss has agreed to loan us with a suitcase of lenses*. As usual, the Masterclass is limited to just 8 participants, so please confirm early to avoid disappointment; read on to make a booking and for further information. For all of you who’ve been asking me for a Masterclass in Asia, here’s your opportunity :)

18/4 Updates: Taking standbys for the first session, second session (28/7-2/8) now open for booking. *More importantly, Zeiss have updated me on lenses – the really good news is we will get the 1.4/55 and 1.4/85 Otuses in Nikon and Canon mounts, along with the 2/135 APO and 2/28 Hollywood Distagon… :) [Read more…]

What’s in the bag – USA workshop tour

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One last minute change: I went with a Think Tank Airport International roller instead of the backpack – less fatiguing.

I’m on the road for three weeks. I’m teaching a Masterclass and a Making Outstanding Images workshop. I’m shooting for myself. I’m shooting an architectural assignment, and then capping it off with a private teaching session. These are a lot of very, very different objectives. So what did I bring, and why?

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Lens review: The Zeiss ZF.2 1.4/85 Otus APO-Planar

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One year after the 1.4/55 Otus APO-Distagon, Zeiss is back as promised with the second installment in the new line of super-lenses: the 1.4/85 Otus APO-Planar. Announced unofficially on facebook several months back, the lens makes its official debut at Photokina. I’ve had the opportunity to shoot with a final-pre-production prototype for the last two months; in fact, through pure coincidence, I got the email from my contact at Zeiss saying they had a surprise for me on my birthday…

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Photoessay: Underground workers in mono

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Today’s photoessay contains images I initially shot for a client much earlier in the year; the German tunnel-boring specialists Herrenknecht and MMC-Gamuda for the greater Kuala Lumpur mass transit project. The project itself will bring a unified rail system to Klang Valley over the next five years; in the meantime, it’s utter chaos while everything is being dug up or diverted so overhead pylons can be put up. I was hired to document some of the underground work.

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Lens review: The Zeiss Otus 1.4/55 APO Distagon, part II

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Continued from Part One

Clearly, no expense was spared in the making of this lens. Unfortunately, this is also reflected in the price and size: a rather steep US$4,000, and a kerb weight (it actually sometimes feels like you’re aiming a tracked weapon) of around a kilo. It’s the size of a 24-70/2.8 from any of the big brands, and somewhat fatter, too. What you get for that money – aside from the outstanding optics – is a smooth, curved, all-metal housing and hood that mates flush with the front of the lens; rock-solid build, and quite possibly the best focusing ring I’ve ever used. This is of course very important for a manual focus lens, but it really is something else in terms of feel, feedback and haptics. Throw distance it’s perfect; it has enough resistance to stay put, but turns smoothly and has zero backlash – you can adjust focus with a fingertip. It also has a pleasingly tactile and grippy rubber ring, which is duplicated for the aperture setting ring. The mechanical aperture ring is of course only present on Nikon mount versions, which means that it’s also back-compatible with other mounts via adaptors – though you’d need a pretty darn good adaptor not to interfere with the planarity of the optics. Both Canon and Nikon mount versions have full electronic communication with the camera.

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Lens review: The Zeiss Otus 1.4/55 APO Distagon, part I

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I’ve used a lot of 50mm and near-50mm lenses in my time*. I’ve had the privilege of owning or having on long term loan some of the legends – the Leica f0.95 Noctilux, for instance, the 50/2 APO-Summicron-ASPH; the Nikon 58/1.2 Noct-Nikkor; the Zeiss ZF.2 2/50 Makro-Planar. However, I can honestly say, hand on heart, that the Zeiss Otus 1.4/55 APO Distagon is quite possibly the best of them all.

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Interviewed on the official Zeiss blog…

I was interviewed recently by some of the folks at Zeiss about food photography – you can find the excellent (and very comprehensive) feature article here. Enjoy! MT


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