Photoessay: Uniformity

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Today’s photoessay is a slight evolution on the previous theme. We still remain in an urban setting, but we look only at the uniform, the monolithic, and the stark. They are almost dehumanizingly abstract and yet instantly identifiable as artefacts of our own ambition and desire for bigger, better, more. There is a sort of progression in entropy here – we start with aspirational order and end in decay. Perhaps it is a metaphor for the nature of all things, or perhaps it’s just a consequence of requiring scale for abstraction and visual interest – read into it as much or as little as you please. Enjoy. MT

This series was shot in several countries with a Nikon D810, 24-120/4 VR, 45 PCE, 85/1.8G and Voigtlander 180/4 APO lenses. Postprocessing and color management was done using Photoshop Workflow II and The Monochrome Masterclass.

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Photoessay: Silent in Kuala Lumpur

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Urban environments are characterised by people: creators, masters, users. They are odd when empty simply because they were never intended to be empty. What is left can be whatever you want it to be; sinister, lonely, a mere abstraction of form and color. Sometimes I wonder about the whole creative circle underlying these locations and objects: somebody had to design and make them, and they had to find the inspiration from somewhere else. We then in turn find something of interest in their forms – but probably not what the original creator intended, especially when taken in concert with environment and other unplanned or juxtaposed objects. Or perhaps I’m thinking too much. Make of these what you will…MT

This series was shot over a period of time with a wide variety of hardware and processed with the fine art technique in Making Outstanding Images Ep.5.

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Photoessay: people of Prague, II

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Do we fear what we cannot see?

Part two of the People of Prague photoessay is to me the more exciting bit: it expands the more literal ‘people in sauce’ environmental slices of the previous series of images to explore my favourite personal project, the idea of man. When photographing I’m always looking out for spontaneous ideas as they evolve around me, but I think it’s important to be open to both the literal and the conceptual even if only for practice. And you never know when the former might develop into the latter (the sequencing of this photoessay is the same: we pick up roughly where the last one left off, and take it further). This particular series explores life at two scales, both individual and group; the latter is not something I’ve done much of up to this point simply because the opportunities aren’t always there. There’s also been plenty of feedback going around in the comments on other photoessays on the use of captions; personally I think if done right they can be used to suggest alternative lines of thought and potentially different interpretations of the scene. A little ambiguity is not a bad thing. Enjoy! MT

This series was shot mostly with a Nikon D810 and the 24-120/4 VR, with additional contributions from the 24 PCE, 85 Otus and Voigtlander 180 APO and a Ricoh GR. I post processed using PS Workflow II and The Monochrome Masterclass. I also cover street photography techniques in S1: Street Photography and How To See Ep.2: Tokyo

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Photoessay: people of Prague, I

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The slight oppressiveness that is impossible to define

Let’s call this set a mix of environmental portraiture and street photography. People in their native element with minimal interference on the part of the photographer. I did stop and talk to some of them; it seems the Czechs in general are very friendly. Others didn’t notice me; I was just another tourist of many. Being a conscious observer in such an environment isn’t a bad thing; you blend in. And people don’t change what they do. This set is the first part of two reinterpretations of ‘people in sauce’ – we’ll talk about my hypotheses on what it means in a future article. We actually had precious few days of good light during the Prague Masterclass – meaning the majority of these images were actually shot on one day – but it was enough. I am continually reminded of just how rich a hunting ground this is when the light is right…enjoy! MT

This series was shot almost entirely with a Nikon D810 and the 24-120/4 VR, with the exception of one image with a Ricoh GR. I post processed using PS Workflow II and The Monochrome Masterclass. I also cover street photography techniques in S1: Street Photography and How To See Ep.2: Tokyo.

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Photoessay: a different kind of KL cityscape

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Ordered cubism

I personally find one of the most challenging things to do is make compelling and different images in a situation that is a familiar one: your home city, your usual equipment with nothing particularly special or capable of making a distinctive look (or another way of looking at it is a general purpose tool with a very versatile shooting envelope), challenging weather, and to top it off, conditions that are not ideally conducive for creativity*. These were shot during a private workshop as examples; I have to simultaneously apologise to and thank my student at the time: firstly, I felt I could have made better images with a bit more sleep, but the conditions pushed me to really look for something different. In the end, I think this set fit the bill: I am happy because these are images that I have not only not produced in some form or other before, but images that I never conceptualised because I was not looking in those places either – even though it wasn’t my first time there. Enjoy! MT

*Prolonged lack of sleep from a newborn and a small apartment full of relatives.

This series was shot with a Nikon D810 and 24-120/4 VR, which is probably about as flexible as you can get.

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Photoessay: Abstraction and reflection in Chicago

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Only one place in Chicago…

I think without reflections, urban photography and architecture would be pretty boring. There’d certainly be no opportunity for the sort of ‘continuity errors’ that make for interesting juxtapositions and impossible geometries; the kind of thing that adds depth, complexity and texture to a scene. These were shot in Chicago with a GR, 645Z, D810 and Otus 85 and processed with PS Workflow II. Enjoy! MT

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Photoessay: the Jay Pritzker Pavilion, Chicago

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Chicago can be considered both a city of architects and in a way, a city for architects; despite the huge number of other famous buildings in the city, I found myself particularly taken by the form and execution of the Jay Pritzker Pavilion in Millennium Park. Perhaps it was because it was my first encounter in person with a Frank Gehry building – they’re understandably somewhat thin on the ground in Asia. It probably didn’t do any harm that I also happened to go on a day where the sky was throwing up a fantastic assortment of clouds and light; if you didn’t like the arrangement of cumulus, just wait a few minutes for a fresh one. And of course late September in Chicago means that the light is never directly overhead, because the sun sweeps over the horizon in an arc – making any time of day fair game to shoot.

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Photoessay: Reflections on Singapore

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I was in Singapore a few months ago both on assignment and for a private workshop; one of the things I’ve always enjoyed photographing is abstraction in reflection: there is no simpler decomposition of the image to shape, texture and colour than this. Fortunately, the weather was obliging on one of the days, and there’s plenty of such opportunities in Singapore. Despite what you might think, I shot quite a lot more than just the usual buildings in buildings…in fact, you’ll notice the second half of the set is quite a bit more whimsical and less brutalist/formalist.

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Photoessay: Urban evenings

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Not much to say about this one: I, as much as the next guy, love a good sunset. I can’t honestly think of a better way to end the day. You may well find several of these to be in an eminently painterly style, too. Enjoy! MT

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Photoessay: Living the Australian Dream, part II: signs of life

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Dinner out

This set continues my ‘Australian Dream’ mini series – think of it as a small exhibition in instalments, or a little series of observations on the Australian psyche from an outsider’s point of view – well, not a total outsider because I did live there during my childhood. Today we add the protagonists. To quote Shakespeare: “All the world’s a stage, and all the men and women merely players”.

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