Unusually for me, I shot very little monochrome on my last trip to Tokyo. Almost none at all, in fact. I suspect it was partially due to equipment choice – the Hasselblad’s digital back really excels at reproducing accurate color – that made me want to explore the use of color even more. Either that, or it was the subtle subconscious influence that Saul Leiter’s work has been having on me. His color was not at all accurate, but rather both pleasing and very evocative of an emotion or era; maybe because of the tonal shift, maybe because of the conscious choice of palette.
I’m guessing you’re probably sick of seeing NYC, so this will be the last one for the time being: somewhere between street photography and the observations of a flaneur, but above all, a view at how I see a new environment. Shot with the Fuji X20 and Nikon Coolpix A; two very capable and enjoyable cameras I reviewed some time back while in the US. Enjoy! MT
One of the exercises I did at the last round of US workshops was an exploration into finding style. Naturally, having taken both of the groups in San Francisco to see the Garry Winogrand exhibition that was on at SFMOMA, there was more than a healthy curiosity amongst the groups to attempt to shoot replicate his way of shooting. I of course had to demonstrate. Whilst I don’t particularly care for his off-center/ misaligned/ ‘loose’ framing and various forms of blurring, I do appreciate his sense of timing and getting into the moment and the scene. Plenty of shooting from the hip or with the tilt screen and a wide lens ensued; the OM-D and 12/2 was weapon of choice. Enjoy! MT