Nob Hill, San Francisco. 20×30″ printed area – Ultraprint on Permajet Portrait White matte cotton paper; $1,500 including DHL shipping anywhere in the world. Limited edition of 10 prints, never to be printed again. Click on to order… [Read more…]
As has become customary post-workshop, I’m pleased to present the report from the Chicago Making Outstanding Images Workshop and San Francisco Masterclass in early September this year. Following the previous London and Havana reports, I’d like to share some of the best images from my students instead of showing too many photographs of people photographing – I think those aren’t quite as demonstrative of what can be achieved in just a few days. Since next year’s workshop schedule is still very much open, I’m going to finish up with a poll to see where you’d like me to go next.
Finally, a spot has recently opened up for the November 24-29 Venice Masterclass due to one participant’s last minute work commitments. Please email me if you’d like to book, or for more info.
One of the exercises I did at the last round of US workshops was an exploration into finding style. Naturally, having taken both of the groups in San Francisco to see the Garry Winogrand exhibition that was on at SFMOMA, there was more than a healthy curiosity amongst the groups to attempt to shoot replicate his way of shooting. I of course had to demonstrate. Whilst I don’t particularly care for his off-center/ misaligned/ ‘loose’ framing and various forms of blurring, I do appreciate his sense of timing and getting into the moment and the scene. Plenty of shooting from the hip or with the tilt screen and a wide lens ensued; the OM-D and 12/2 was weapon of choice. Enjoy! MT
I can’t really say these have a common theme other than reporting on life in the city; however, subjects, light and various urban geometry cooperated at times to make some images I was rather fond of. Enjoy! MT
Though visiting Chinatown in the USA is somewhat ironic for a person from Asia (we do have Chinatown in Kuala Lumpur too; it’s just not that different from the rest of town); I did find it to be quite photographically rich – especially with San Francisco’s inclined streets. Between the Cantonese and interesting side alleys, it felt a lot more like Hong Kong than anywhere else – which is perhaps a consequence of the origin of the immigrants. More than that though, something about the atmosphere was rather conducive to the cinematic style, though it could also be because both times I arrived at the end of the day as the sun was setting and pouring down the east-west streets in a gloriously saturated manner. I sent my workshop students off to explore style with a few different assignments, mounted the Leica 50/1.4 Summilux-M ASPH on my OM-D via an adaptor and set off to grab a few frames from a movie.
Had the chance to process some of my files from the first few days in San Francisco – in the first six days on the ground, I shot over 3,500 images…let’s just say that it’s an extremely photographically rich city; or perhaps it’s the allure of the unfamiliar and the new (the last time I was in the USA was on a family holiday before the time I was interested in photography). I do know that my keeper rate on the first day was nearly zero, but I put that down to jetlag. I tend to find there’s an ideal point between cultural oversaturation and being jaded with a city – and that tends to be the most productive period for me photographically. It typically happens after four to five days; I’ve learned to go with the flow and not worry too much about not producing anything in the early days simply because the stream-of-consciousness type ‘seeing’ will come, and with it, an enormous task in the curation…more to come once I get a chance to edit and process.