Premiere and review: The Olympus PEN F

_5505019 copy

After being limited to 16MP for nearly four years, we now have a marginal increase in resolution – to 20MP, matching the Panasonic GX8 announced last year (and quite possibly sharing the same sensor, too). The PEN F is another retro-tastic design clearly inspired by the original film half-frame PEN F, right down to the knob on the front vertical face of the camera. It is also yet another subdivision of a niche by Olympus of its EVF cameras – we have the photo-centric E-M1, the video-centric E-M5II, the budget-centric E-M10II, and now the PEN F. One thing that struck me throughout the test period was that the camera really feels as though it’s geared towards the JPEG shooter (or, more likely, the social media crowd). It’s the first all-new ‘serious’ camera from Olympus in a couple of years – so how does it perform?

Thank you to Olympus Malaysia for the loan. Note that all images were processed in Olympus Raw Viewer 3, and then run through my usual photoshop workflow; as such it’s difficult for me to make objective and comparative statements about image quality as this is not my normal workflow and one cannot compare it to other cameras easily. What I can do for now is assess how this particular workflow performs, and that’s what I’ll be doing later. Additional images will be posted to this flickr gallery.

[Read more…]

Review: The Nikon D5500 (or, a solution to the compact 50-e problem)

IMG_9409b copy
Yes, it still balances. Not taped up because I hadn’t gotten around to it at this point.

I’ll be the first to admit this is an unusual camera for me to bother reviewing, and an even more unusual one for me to land up buying and using fairly extensively. But I think all will make sense by the end of the post. The D5500 is the fifth and latest in the line of consumer-grade articulating-screen Nikon DSLRs, starting with the D5000. It has a single control dial, a fully tilting and reversing touch LCD, the 24MP AA-less Sony sensor of its senior D7200 sibling, 5fps 14bit (compressed, though) shooting capability, and the lightest, smallest, most compact body of any Nikon DSLR to date. Did I mention it has a carbon fiber monocoque to keep weight down and rigidity up?

[Read more…]

Xmas 2015 hardware picks

IMG_9686b copy
Let it never be said I don’t put my money where my mouth is. The full recommended gear list is here.

Another year is coming to a rapid close (where did it go?) and we find ourselves at the end of one of the best years in some time for both the photographer and the equipment collector. We’ve seen some genuinely innovative technology, some yawns, some WTFs, and some boundary pushing to find that last 0.01%. What follows is both my year in review and a wishlist in case you don’t know how to spend your year end bonuses…

Note: some of you may have seen a different post go up this morning. I apologise – that’s meant to be for another day, and once again the WordPress scheduler has messed up after my computer changed timezones…

[Read more…]

Battle of the best 20/21s: Sigma 20/1.4 Art vs Zeiss 2.8/21 Loxia

20 art 21 loxia
Images courtesy respective manufacturers, composited to roughly correct relative size – my samples had to return home before I got a chance to put them together in the studio for th usual product shoot, and I’m still awaiting delivery of my own personal lenses.

I’ve recently had a chance to shoot a) the best two wide angles available at the moment, and b) shoot them against each other on the same camera body. This is not a direct comparison. There are however limitations to the testing – very limited time* and no way to mount one without. Furthermore, the lenses were both final preproduction prototypes, which could mean they are either good samples because they’re hand adjusted…or there’s some variance, because…they’re hand adjusted. Tests were performed on a Sony A7RII body mounted on a Arca-Swiss P0 head and RRS24L tripod – i.e. sturdy – and released via IR remote. The adaptor used was a Metabones Nikon G-NEX model, tested and found to be good with various other lenses including the Zeiss 28 Otus. However, it’s worth noting that the shorter the focal length, the more sensitive a lens is to small skew because only very small movements are needed to change effective focusing distance. I’m sure many other limitations in methodology can be found, but remember we are aiming for the best we can do in field conditions without giving one lens or the other a sensor-based advantage. Observations must therefore be taken as preliminary.

*Literally, about an hour after dark during a recent visit to Sigma HQ in Aizu, Japan. Crops are 100% where stated; I will not be posting full size images because IP rights sadly don’t seem to mean a thing online.

[Read more…]

Premiere and review: The 2015 Leica SL (Typ 601) and lenses

_7R2_DSC3092 copy
Minimalist Leica with a hint of several other cameras’ DNA. Doesn’t look that big, does it?

What would you get if you crossed a Q with a T and an S?

Not an unpronounceable algorithm for a consulting firm or a new Cadillac, but the 2015 Leica SL Typ 601. The SL is probably closest to an S (S Light?) and really does blend the choice bits of the DNA from each these three cameras into something that takes the fight to the Japanese brands – albeit with a few caveats.

Notes: I’ve had a few days with a final pre production SL and 24-90 thanks to Leica Asia Pacific, which is enough to form some preliminary impressions but further testing of a production sample will be required to evaluate all elements of the performance envelope. Sean Reid also has additional testing. More images from me with the camera can be found in this flickr set, and you may recognise some images from the Paradise Lost series. Images were processed using Photoshop Workflow II and The Monochrome Masterclass.

[Read more…]

Review: the Zeiss 1.4/28 Otus APO-Distagon

_7R2_DSC3041 copy

28, 55, 85. A pretty versatile core set for pretty much any purposes. And now fully filled out by the latest in the Otus series, the recently-announced 1.4/28 APO-Distagon. Advance warning: this is not a general purpose lens, nor is it the kind of thing you can deploy casually. That is merely the nature of steeply diminishing returns; there are no gains without significant incremental effort. And we’re really talking about pushing the last 1% here. If you’ve not felt anything lacking in your images, then I suggest you stop reading here and save yourself a lot of money, because chasing perfection isn’t cheap…

[Read more…]

The Sony A7RII (updated, 16 Sep 2015)

IMG_8922b copy

Most asked question via email for July/August 2015: “What do you think of the Sony A7RII?”

Second most asked question via email for July/August 2015: “When will you be reviewing the Sony A7RII?”

Fanboys should stop reading now. There are uncomfortable truths contained within this post. [Read more…]

Long term review: Canon 5DSR

_5R00808 copyWhen the stars (trees) line up

These will be my closing thoughts on the Canon 5DSR, first reviewed here. It turns out there won’t be a part two for a simple reason – I don’t see the point. My opinions that follow are going to appear initially conflicting and probably be misinterpreted by the fanboys, so I’m going to state this upfront: I really, really liked the camera. But in the end, it just isn’t for me. Allow me to explain why.

[Read more…]

Review: The Canon 5DSR, part I – solo

_Q116_L1020283 copy

This is both the first extended review I’ve done in some time, and the first one of a Canon product. Regular readers will know that I only review things that are interesting, and to be interesting, they have to expand the envelope somehow. I am curious as to whether the 5DSR will do this –
I sold my 645Z a few months back because I could not justify ow ning a second system against the need for a larger home for my family; but I won’t deny that I missed its resolution and print flexibility, especially for making larger Ultraprints.

I come to this review as primarily a Nikon D810 shooter. I make no secret of the fact that I have not that much experience with Canon other than a serious evaluation period in 2007 where I decided if I should switch (pre D3); I didn’t because local support at the time left a lot to be desired. However, I also come to this review with an open mind: I’ve tried many other systems previously to expand my toolkit including Leica M, Pentax 645, Hasselblad V and M4/3. And I can guarantee you that I have no self-interest either way, since these experiments have come out of my own pocket. The 5DSR was also purchased at retail and is NOT a loaner. I don’t care what the name plate on my camera says: I care only that it lets me make the images I want to make and doesn’t get in the way, and my clients are the same. If anything, I am biased towards image quality. That said, I’m sure it’s only a matter of time before some forum keyboard warrior ‘expert’ asserts I’m now on the Canon payroll.

Note: I will present few full-size samples because I simply don’t have the bandwidth, nor do I trust that they won’t be reused without permission – it’s happened before. Given the limitations of web JPEGs, please go according to what I say and not what you see. Any perceived oversharpening is thanks to Flickr’s overzealous resizing algorithms and not blindness on my part. Read on if you have an open mind. Finally, a special thank you must go to my last client for allowing me to share some of the images from that assignment at the Crawick Multiverse and Garden of Cosmic Speculation. I literally collected the camera a few hours before heading to the airport and this was the first time I’d shot with it properly – no pressure…

[Read more…]

Fresh off the boat: Canon 5DSR and some early thoughts

_Q116_L1020283 copy

My Canon 5DSR arrived a couple of days ago. Surprise #1: it’s not a loaner. Surprise #2: I haven’t had time to shoot with it yet. For somebody who’s not known for having any particular interest in ‘the other side’, questions are bound to be asked. And I’m sure somebody will also mention the A7RII. But, there is a method to the madness – it’s not wanton equipment lust that I’ve fallen victim to, though my bank account will certainly need some time to recover from the shock of both a Leica Q and 5DSR within the space of a week. I would love to share images, but – see Surprise #2. Since early June, I’ve been back to back on assignments, the hanging, opening and related activities around my exhibition Connection in Hong Kong – during which we raised $2.4m for two charities in print sales, auctions and sponsorships – and I was back in Kuala Lumpur just long enough to attend the Q launch party, pick up the 5DSR and make sure my family still remembered me. Images will therefore continue to be forthcoming.

[Read more…]

Follow

Get every new post delivered to your Inbox.

Join 36,386 other followers