Photoessay: Klang Valley MRT work in progress, part II

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We continue with the tunnel borers – this time reverting to monochrome for the aboveground portion of the monochrome documentary (underground was here here, focusing on the workers). A sense of scale is needed to appreciate the extent of the project, and this was the purpose of these images. I shot this with a mix of equipment over an extended period of time – mostly Nikon D800Es, however. Enjoy! MT

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Photoessay: Klang Valley MRT work in progress, part I

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Today’s photoessay follows on from the last On Assignment; it’s the aboveground portion to the earlier underground portion focusing on the workers. A sense of scale is needed to appreciate the extent of the project, and this was the purpose of these images.

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On Assignment: the TBM breakthrough

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Today’s post is about a job I did at the start of January – the world’s premier maker of tunnel-boring machines, Herrenknecht (there are actually quite a surprising number) hired me to document the operation and breakthrough of their first variable-density boring machine*, which happened to be at work underneath Kuala Lumpur as part of the greater Klang Valley subway/ mass transit project. Up til this point, we have a pretty pathetic train system and monorail that doesn’t cover more than 3-4km; we don’t have a unified public transport system which combine with poor traffic management creates legendary jams**.

*Kuala Lumpur has a mix of rock and clay underneath it; you need a special machine to bore through both simultaneously – the machines for rock are too slow with clay and it also clogs the outlet ducting, and the machines for clay simply won’t cut rock.

**In the past, it has taken me up to 2 hours to travel the 1.5km from home to office at the wrong time. If you’re wondering why I didn’t just walk, try doing that in 35 C heat, 80+% humidity and the business suits that you’re expected to wear – not that clothes mean you’re any more or less competent at doing an office job…

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Photoessay: Small format Fukuokan monochromes

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Most of these are square because I was under the influence of Hasselblad at the time; with your primary camera set up to shoot black and white squares, it’s difficult to break your shooting rhythm to see much of anything else. However, this set was shot entirely with a Leica(sonic) D Lux 6. I think what’s interesting here is when I used the DL6 over the ‘Blad: mainly in situations where a) I wouldn’t be fast enough with MF; b) when it was too dark and I didn’t have the 400 back already on the camera; c) when I needed longer or wider perspectives I didn’t have as most of the time I was only carrying 50 or 80mm lenses. There’s still very much room in the bag (pocket?) for a smaller format and a smaller camera, even if you have to give up image quality: a shot is better than no shot at all. Admittedly, at these sizes and this presentation format, it’s not easy to tell what camera was used. Regardless, it’s always about the images: enjoy! MT

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Photoessay: San Francisco monochromes, part two: channeling Winogrand

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One of the exercises I did at the last round of US workshops was an exploration into finding style. Naturally, having taken both of the groups in San Francisco to see the Garry Winogrand exhibition that was on at SFMOMA, there was more than a healthy curiosity amongst the groups to attempt to shoot replicate his way of shooting. I of course had to demonstrate. Whilst I don’t particularly care for his off-center/ misaligned/ ‘loose’ framing and various forms of blurring, I do appreciate his sense of timing and getting into the moment and the scene. Plenty of shooting from the hip or with the tilt screen and a wide lens ensued; the OM-D and 12/2 was weapon of choice. Enjoy! MT

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Photoessay: Vignettes from a Sudanese wedding

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Recently, I was a guest at a rather interesting (and crazy) wedding celebration – a close Sudanese family friend’s daughter. Needless to say, I brought a camera – the OM-D and 45/1.8 – but to use strictly in an unofficial capacity. If you get the impression that the feel was very much 1001 Arabian Nights, that’s because it’s not too far off the mark. Enjoy! MT

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Photoessay: Kowloon in color

Shot on a particularly rainy night in Kowloon, post-typhoon with a Leica M9-P and Zeiss ZM 28/2.8. Surprisingly, both functioned fine despite the moisture and humidity. I must be one of the few strange photographers who actually like shooting in the rain – it’s not masochism, despite what it might appear as. Three simple reasons: one, there’s a lot more texture and color from the water, reflections and umbrellas; two, the light is a bit more diffuse; three, nobody pays you any attention - everybody is simply too busy trying to keep dry. And this makes street photography significantly easier. MT

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Enter the August 2012 competition: Compact Challenge – here!

If you enjoyed this post, please consider supporting the site via Paypal (mingthein2@gmail.com); Ming Thein’s Email School of Photography – learn exactly what you want to learn, when you want to learn it or learn how to achieve a similar look with our Photoshop workflow DVDs.  You can also get your gear from Amazon.com via this referral link.  Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

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Photoessay: Macau, part two

A continuation of the set from Macau. Shot in the tail end of a typhoon with a Leica M9-P, Zeiss ZM 2.8/28 Biogon and ZM 2/50 Planar lenses. MT

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Enter the August 2012 competition: Compact Challenge – here!

If you enjoyed this post, please consider supporting the site via Paypal (mingthein2@gmail.com); Ming Thein’s Email School of Photography – learn exactly what you want to learn, when you want to learn it or learn how to achieve a similar look with our Photoshop workflow DVDs.  You can also get your gear from Amazon.com via this referral link.  Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

Don’t forget to like us on Facebook and join the Flickr group!

Photoessay: Macau, part one

Part one from Macau; immediately post-typhoon and still very, very rainy, not to mention humid. This set was shot with an Olympus OM-D, 45/1.8 and Panasonic 20/1.7 lenses. Images can be clicked on for larger versions, or to go to the flickr hosting page where exif data is available. Enjoy! MT

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The curious thing about outbound Macau customs was that there were none…take whatever you will from that (and the country).

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____________

Enter the August 2012 competition: Compact Challenge – here!

If you enjoyed this post, please consider supporting the site via Paypal (mingthein2@gmail.com); Ming Thein’s Email School of Photography – learn exactly what you want to learn, when you want to learn it or learn how to achieve a similar look with our Photoshop workflow DVDs.  You can also get your gear from Amazon.com via this referral link.  Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

Don’t forget to like us on Facebook and join the Flickr group!

Photoessay: Hong Kong life in monochrome

The first set from my recent Hong Kong and Macau workshop. Click for larger versions or EXIF data via the flickr landing page. Enjoy! MT

Images shot with a Leica M9-P, Zeiss ZM 2.8/28 Biogon, ZM 2/50 Planar, Olympus OM-D and 45/1.8.

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____________

Enter the August 2012 competition: Compact Challenge – here!

If you enjoyed this post, please consider supporting the site via Paypal (mingthein2@gmail.com); Ming Thein’s Email School of Photography – learn exactly what you want to learn, when you want to learn it or learn how to achieve a similar look with our Photoshop workflow DVDs.  You can also get your gear from Amazon.com via this referral link.  Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

Don’t forget to like us on Facebook and join the Flickr group!

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