Why I must do all the things I do

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I struggled to find an appropriate image to go with this article. I think this works, though: firstly, it was shot with an iPhone, on an occasion I could not foresee doing any photography. But having an open mind and an active eye meant that I saw it; experience/ practice meant that I could make do with the bare minimum, and enjoying cigars meant that I was in the right place at the right time to begin with. All will be explained towards the end of the article…

Don’t worry. Despite the slightly off-topic title, it’s very much a post about photography. This isn’t a moment of existential angst, but rather a clarification of purpose. It isn’t quite the same as article on Why We Photograph from some time ago; it’s far more personal than that. On reflection, I think it’s very important to understand the motivations behind certain things so that a) we might do them better and b) we avoid doing things we don’t enjoy. Especially when there’s a choice.

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Photoessay: Isolation in Tokyo

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The more time I spend in places like Tokyo – big cities, specifically – the more I get the impression that people fight harder and harder to maintain their own personal space; it’s almost as though there’s some strange inverse law that dictates the smaller the available physical space for each individual, the greater the social gulf between them. Cities seem to have become a collection of people who mostly happen to live together for reasons of convenience rather than community; this is visible in the lack of any sort of pride or loyalty in its inhabitants; it’s every man and woman for themselves. Perhaps the internet is partially to blame; we no longer have to actually know our neighbours and live with them; if we don’t like the people who immediately surround us, there are plenty of online communities full of others who are closer in interest – hell, this site is one of them. [Read more...]

Too little, too late – or, rebirth?

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CFV-50c, image courtesy Hasselblad.

It’s no secret that Hasselblad has been in much financial trouble lately. And it’s also no secret that the company appears to have lost its direction following a large number of private equity CEOs, who frankly, appear not to understand the photography market at all. So it was with some surprise that I opened my email getting off the plane home from London to find that not only had they made an interesting product, but one that hinted at a return to common sense and a somewhat brighter future, too.

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Conscious exclusion

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Including everything: too much to focus on just the stairs. But since the objective was to show the mess/ busyness, it’s just enough. Think carefully: what do you need?

We almost always discuss composition and framing in terms of putting things in to the frame: on further contemplation, I don’t think that’s correct or accurate at all. The act of composition is in fact the complete opposite. And embracing that can lead to some surprising shifts and improvements in one’s compositions.

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Photoessay: Melbourne street color

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A self portrait in layers

I’ve unquestionably been heavily influenced by Saul Leiter of late, and more specifically his treatment of color and use of foregrounds/ reflections to create abstraction. Combine that with my normal cinematic approach to color and the somewhat more ‘controlled’ shooting mindset that working with the Otus forces results in a rather interesting set of images. Even if not all of them were shot with the Otus – I used the GR for the balance – the way I’m shooting remains the same. My ongoing studies of the abstraction of man take a step back: here, I think I needed stronger human subjects to make the compositions work. Enjoy! MT

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Photoessay: Klang Valley MRT work in progress, part II

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We continue with the tunnel borers – this time reverting to monochrome for the aboveground portion of the monochrome documentary (underground was here here, focusing on the workers). A sense of scale is needed to appreciate the extent of the project, and this was the purpose of these images. I shot this with a mix of equipment over an extended period of time – mostly Nikon D800Es, however. Enjoy! MT

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Photoessay: Klang Valley MRT work in progress, part I

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Today’s photoessay follows on from the last On Assignment; it’s the aboveground portion to the earlier underground portion focusing on the workers. A sense of scale is needed to appreciate the extent of the project, and this was the purpose of these images.

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New workshop video: How To See, Ep.3: Penang now available!

It’s been a little while in the making, but we’re pleased to announce that How To See, Episode 3: Penang is now available!

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Photoessay: Living the Australian Dream, part II: signs of life

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Dinner out

This set continues my ‘Australian Dream’ mini series – think of it as a small exhibition in instalments, or a little series of observations on the Australian psyche from an outsider’s point of view – well, not a total outsider because I did live there during my childhood. Today we add the protagonists. To quote Shakespeare: “All the world’s a stage, and all the men and women merely players”.

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Photoessay: Living the Australian Dream, part I: the landscape

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The set

Interestingly, the notion of the ‘Australian Dream’ is much like the American one: a land of opportunity, space, freedom, big skies, friendly people and a relaxed, laid-back lifestyle. Though I grew up in Melbourne until I was 9, I haven’t been back in nearly 18 years; I was surprised by how much the place had changed, and at the same time, how much it hadn’t. There was a sense of international polish about it that wasn’t there before, or perhaps I hadn’t noticed it.

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