Photoessay: Monochromes from Luzern

_5R02090 copy

Escaping boxes

Today I present a small selection of black and white images from a lazy afternoon in Luzern, Switzerland – there was definitely a feeling of summer malaise amongst both visitors and tourists, and even the hardware felt like it was taking a day off. All in all, not a bad way to decompress after an assignment. I went out with a very lightweight kit (especially after said previous assignment) of just the 5DSR, 40 STM and Leica Q; landed up reading a book by the lake in the company of a rather good Hoyo Des Dieux and actually relaxing a bit for a change. Despite that, if you’re a photographer in a foreign city, there’s simply no way you’re not going to take photographs of any sort even if you need a breather from taking photographs – such is the nature of obsession I guess. Enjoy! MT This series was shot with a Canon 5DSR, 40 STM, Leica Q 116 and processed with the Monochrome Masterclass ‘balanced’ workflow. [Read more…]

Photoessay: Tokyo architecture mono, mid 2015

_8B12402 copy
To infinity

Today’s photoessay is a very limited architectural snapshot from Tokyo. I’m there roughly once a year, but the place changes so often that there’s always something new (and usually unrecognisable) from visit to visit. That is of course a very good reason to go back. This set is in monochrome I suppose as sort of contrarian approach to something constantly changing – monochrome still life or landscape tends to invoke something timeless rather than temporal; perhaps change is timeless. MT

This set was shot with a Nikon D810 and D750 and processed with techniques covered in the Monochrome Masterclass and PS Workflow II can also travel vicariously to Japan with How To See Ep.2: Tokyo.

[Read more…]

Photoessay: Hong Kong Urbanscapes II

_Q116_L1020174 copy

Following on from the previous photoessay, I’d like to present part two as a counterpoint – both visual and metaphorical. Whereas the previous photoessay was semi-decay and urban wear and tear, this series of images is the shiny, soulless face of modernity. We are still devoid of humans because the environment has almost become inhumanly clinical, yet somehow there remains a sort of stark beauty in what is left behind. Enjoy the idealised utopia!

This series was shot with a Leica Q and processed with Photoshop Workflow II.

[Read more…]

Photoessay: Hong Kong Urbanscapes I

_Q116_L1010970 copy
I Maze

Ranging from the shiny and complete to the decrepit and the transformation process that takes place in between, today’s photoessay is a deliberately dehumanised look at the the urban landscape. It is a series that intentionally feels both cold and evokes a little deus ex machina feeling – actually not so easy to accomplish in a place like Hong Kong where it is usually impossible to achieve an image without some humans in it! MT

This series was shot with a Leica Q and processed with Photoshop Workflow II.

[Read more…]

Photoessay: San Francisco street monochromes

_64Z3853 copy
The pizza man

Following on from an earlier article about light and mood in monochrome, I feel some examples are in order. Though these were all shot in San Francisco, they are from different eras in my career. Nevertheless, I believe the feeling I personally experience in San Franciso is consistent – one of possibility and excitement reinforced by the weather and tempered by something slightly along the lines of wondering if you’re going to live up to the standards of the city or stand out like a hick – there’s this sort of sophistication and modern edginess, I suppose. And nights are quiet rather than being lively (or I’m simply going to the wrong places). Enjoy! MT

This set was shot with a diverse range of equipment, but processed using the techniques covered in the Monochrome Masterclass workshop video.

[Read more…]

Photoessay: observations in Hong Kong

_Q116_L1010924 copy
Everybody is a tourist sometimes

Today’s images are a series of observations of people shot in Hong Kong – it’s not quite the traditionally expected street photography, though neither is it my more abstracted ‘idea of man’ series, either. They are the sort of vignettes of life you get as you pass through the city with an openly observational eye – varying in scale and intensity of personal contact; familiar and unusual. I think this juxtaposition of immense scale and the relative insignificance of the individual being at odds with the lack of personal space is very much Hong Kong, as is the very variety of situations one might encounter within a relatively small radius. Enjoy! MT

This series was shot with a Leica Q Typ 116 and processed with PS Workflow II or the Cinematic workflow in Outstanding Images Ep.5, Processing for style.

[Read more…]

Photoessay: studies in blue

_Q116_L1020105 copy

On an incredibly blue day in central Hong Kong, I could not help but do some modern Magritte-inspired elements involving the urban environment, layered reflections and the occasional cooperative cloud – there is a sort of sameness to the series, but at the same time a little closer attention will reveal that these images are really quite distinct. I think they are really focused variations on a theme. Enjoy! MT

This series was shot with a Leica Q 116 and processed with Photoshop Workflow II.

[Read more…]

Photoessay: Seaside, Penang

_8B15277-8 copy
Sea eagle rock

Sometimes, we have very productive days inspired by our environments. This series was effectively shot in two afternoons – perhaps six hours total; it was just one of those days when everything came together – weather, location, possible subject matter. Perhaps it was brought on by me not particularly looking for anything and being receptive to possible scenes in a sort of photographic meditation/ relaxation; I’m one of those people who will shoot if idle just to see how things look and experiment a little. Half of these images were shot from a friend’s balcony along Tanjung Bunga north of Georgetown in Penang, Malaysia*; the other half were from a little beachside cafe in Batu Ferrenghi.

*Penang is a very rich photographic location; we cover it in How To See Ep. 3.

[Read more…]

Photoessay: Uniformity

_8B25510 copy

Today’s photoessay is a slight evolution on the previous theme. We still remain in an urban setting, but we look only at the uniform, the monolithic, and the stark. They are almost dehumanizingly abstract and yet instantly identifiable as artefacts of our own ambition and desire for bigger, better, more. There is a sort of progression in entropy here – we start with aspirational order and end in decay. Perhaps it is a metaphor for the nature of all things, or perhaps it’s just a consequence of requiring scale for abstraction and visual interest – read into it as much or as little as you please. Enjoy. MT

This series was shot in several countries with a Nikon D810, 24-120/4 VR, 45 PCE, 85/1.8G and Voigtlander 180/4 APO lenses. Postprocessing and color management was done using Photoshop Workflow II and The Monochrome Masterclass.

[Read more…]

Photoessay: Hruba Skala at Cesky Raj

_8B20089 copy
About all that’s visible from the road

Today’s photoessay continues the previous two from Hruba Skala at Cesky Raj. I would think of today as more of a general overview and contextual positioning of these unique rock formations in the general landscape around the Cesky Raj (Bohemian Paradise) area in the northern part of the Czech Republic. What isn’t immediately apparent from this (and all other) images of the rocks is that they’re really not that easily visible from the roads surrounding the perimeter of the area, nor does the general topography suggest where you might find them. Instead, you are driving hopefully through some forest and there are little hints of entrance on the right which suggest something much larger. It isn’t til you get down into the gorges and keep walking that the sense of scale is actually apparent. It is one of the most surreal places I’ve been because of this dichotomy between our ability to comprehend the scale (unlike say the Grand Canyon) and the actual size of it – you can go up and touch elements of it, but you’ve got to do some walking. In other words, it’s bigger than you think. And a challenge to capture, too. Enjoy! MT

This series was shot with a Nikon D810, 24 and 45mm PCE lenses, a Zeiss 1.4/85 Otus, a Voigtlander 180/4 APO Lanthar and processed with Photoshop Workflow II.

[Read more…]


Get every new post delivered to your Inbox.

Join 35,795 other followers