Photoessay: Tokyo cityscapes

_8B11327 copy
Skyline

We’re nearing the end of the images from the last trip to Tokyo. Today’s images are a continued evolution of the urban theme into something a bit more widespread; an attempt to capture the combined endless scale and whimsy of Tokyo. There are bits you might find surprising and challenging to your preconceptions of Japan – anything with space or trees or emptiness, for instance – but that’s the whole point, isn’t it? It is me giving in to my endless fascination for man-made light, texture and reflection in complementary colours. Enjoy! MT

This series was shot with a Nikon D810, D750, 24/3.5 PCE, 45/2.8P, Zeiss 1.4/85 Otus and Voigtlander 180/4 APO-Lanthar and processed with PS Workflow II; you can also travel vicariously to Japan with How To See Ep.2: Tokyo.

[Read more…]

On Assignment Photoessay: Abstraction in the machine

_8B00857 copy

Today’s photoessay is something a little different: the curated results from an assignment last year where I had an open creative brief; I was to document and photograph everything and anything at the given locations. The client was a heavy engineering/ construction company with everything going on from schools to subways to airports; it was both one of the most interesting assignments I’ve undertaken as well as one of the most satisfying – and simultaneously challenging.

Some of these images will be part of the larger exhibition in Hong Kong in June, so if you’re around, please come and say hello.

[Read more…]

Photoessay: Urban observations in monochrome

IMG_4421b copy
Fragmentation in the face of modernization

Today’s photoessay is a short series of urban observations and abstractions in black and white; I like to think of them as the things I (and presumably others) notice but either pass by or seldom bother contemplating. They are the little slices of whimsy that can make for an interesting interlude to an otherwise routine day. The captions are integral, I think. Enjoy! MT

This series of grabs was shot with various vintages of iPhone; mostly 5/5s and processed with the Monochrome Masterclass workflow.

[Read more…]

Mini-photoessay: Czech minimalist interlude

_8B21656 copy

Inner fire

In the spirit of the subject and post, no words today. All images are available as Ultraprints on request; please shoot me an email if you’re interested. Enjoy! MT

[Read more…]

Photoessay: Abstraction and reflection in Chicago

_G008082 copy
Only one place in Chicago…

I think without reflections, urban photography and architecture would be pretty boring. There’d certainly be no opportunity for the sort of ‘continuity errors’ that make for interesting juxtapositions and impossible geometries; the kind of thing that adds depth, complexity and texture to a scene. These were shot in Chicago with a GR, 645Z, D810 and Otus 85 and processed with PS Workflow II. Enjoy! MT

[Read more…]

Photoessay: the arches of Prague

_8B16842-50 copy
The nun at dawn

Prague is one of those locations which never fails to captivate – it’s an interesting blend of Old World elegance, modern efficiency and very friendly people. One of the things that falls out of the Old World setting is an unusually large number of arches – as a load bearing architectural device to create an aperture in a structure supporting a large building, they were pretty much the only option available if you’re working in stone or brick. Photographically, they’re a great device for framing and adding layers of interest to an image – beyond the obvious use of placing the subject in the middle, you also gain the ability to stack them up to create areas of interesting texture through geometrical repetition. On top of all of that, they also act as light control devices – if you photograph them side-on, they can create directional light out of a very flat day especially if there are no other apertures on facing them on the other side. This set was shot during the March Prague masterclass, and includes some of my favourite images from the city. Enjoy! MT

This series was shot with a Nikon D810, Zeiss 1.4/55 and 1.4/85 Otuses, the 45 PCE, and mostly the AFS 24-120/4 VR. It was processed with PS Workflow II.

[Read more…]

Photoessay: a few unconventional landscapes

_8B11338 copy
I – floating tree

Today’s photoessay is a little shorter than the usual, for the simple reason that it wasn’t easy to make these images – the opportunities didn’t always present, and even then, they had to be teased out. I’m exploring what the definition of landscape really is: do we have to have near/mid/far all the time? In the same plane? In a ‘literal’ sense? I think if you’ve read the articles on what makes an interesting image from the previous two days, this set may make a little more sense. The upshot is that I’m seeking to present a series of images that are unquestionably about nature, a bit larger than just a single detail (but not necessarily expansive) and perhaps with some deliberate ambiguity of scale: after all, nature itself is recursive and fractal. Needless to say, they do all work much better as prints, which are available on request as usual. Enjoy. MT

This series was shot with a Nikon D810 and various lenses.

[Read more…]

Photoessay: Venetian nights

_64Z5363 copy
An alternative to the Venetian Cinematics

Evening falls early in Venice in the winter; on a grey day, you can start thinking about blue hour come half past three in the afternoon. Coming from a country where sunset and sunrise vary very little through the course of the year (I’m pretty much on the equator), it’s a little disorienting – but very productive for photography once you get used to the time difference. I always find one of the more interesting things about higher latitudes the fact that changing daylight hours result in the visually unexpected: everything closed and empty streets with sun out, for instance (late in the evening) or normal activity in what appears to be the dead of night. There is a progression here from the active to the inactive and empty; the difference is in the presence or absence of people – not the light. I admit it was difficult to resist a cliche or two, but for the most part, I stuck to the brief…MT

This series was shot with a Pentax 645Z, 55/2.8 SDM and A 150/3.5 lenses.

[Read more…]

Photoessay: dead tree beach

_64Z4466bw copy
Skeleton and ghosts. The monochromes in this set were processed to be as natural as possible using my ‘balanced’ workflow in The Monochrome Masterclass.

Today’s photoessay comes from a beach near Banting, on the west coast of Peninsula Malaysia and about an hour and a half’s drive out of Kuala Lumpur. I’ve been to this location in the past; those of you with exceptional memories might remember it from the Panasonic GM1 review and early large format landscapes. Truth is, I’d been meaning to come back to this location for a long time, earlier in the day, to have some more time to work with it before the fast-moving tide ended play*.

*It’s a mangrove beach, which means extremely shallow gradients and even quicker tides – I’ve seen it come in at about a foot every three to four seconds. Not somewhere you want to be stuck in the middle of a long exposure!

[Read more…]

Photoessay: Life in Tokyo

_G009732 copy
Sardines observing sardines

Tokyo ranks extremely highly on my top places in the world for street photography – the sheer visual difference notwithstanding, it is also an extremely tolerant society to photography, and photography of random people in public. Everybody is doing it to the point that nobody notices anymore; however, unlike in other parts of the world where camera phones dominate, there are plenty of people using more serious equipment, too. Blending in has never been much of a problem. That difference I mentioned earlier is eroding somewhat, though. Once again, globalisation has meant that a lot of the more unique ‘character’ areas of the city are becoming clones of international streets (or vice versa) or even other parts of Tokyo; the area around almost any major railway station is the same, for instance – an agglomeration of fast food eateries, convenience stores, and one or two major chains plus a business hotel. It’s a formula that probably works for practicality, but not so much to keep the world an interesting place for its inhabitants.

[Read more…]

Follow

Get every new post delivered to your Inbox.

Join 32,500 other followers