This post will not make any sense at first, and certainly not the title image – but I’ll get there. As a photographer – and a person trying to find something different and visually/aesthetically pleasing under sometimes challenging situations, it’s important to be aware of things that can limit or aid us. From a general life standpoint, the things that inspire us also tend to be the ones that put us in a good mood – and in what way is that bad? Having spent time in a wide range of places which cover all portions of the inspiration scale, there are definitely places that stand out as being better than others – but often for reasons that aren’t immediately obvious. But you do notice it in the way the locals smile, have a spring in their step, tend to be encouraged and happy to run their own small businesses, and generally seem happy. In contrast, places that stifle or are not conducive to creativity tend to be missing that ‘zing’: everything is transactional ends at the next buck.
I spend a lot of time on the road. Probably quite a lot more than the average person*. This has always been the case because I’ve almost always been in the service industry in a client-facing role, which means plenty of air miles. In a bid to make the commute a bit more pleasant – possibly even enjoyable – I slowly sank into the world of portable audio. This was 2003. I’m sure like horology, cars, cigars and the like there are more than a small number of people here who’ve also made that journey. Today’s post is a sort of meandering of thoughts – there are a number of parallels between photography and personal audio, both in the industry and the hobby, and perhaps some thoughts to take away. Plus, which serious listener isn’t always seeking the ideal setup? :) Read on, or skip forward if you’re not an audiophile.
*According to my frequent flyer statement, 540,000 miles in 2014.
Interstellar official trailer #3
I found time to watch a movie the other day. This is an unusual occurrence for me because it takes a huge chunk out of my day; but it was raining and I was on foot without an umbrella. Interstellar was showing, and happened to be something whose trailer did actually show promise. Plus I’m a huge Christopher Nolan fan; I have no doubt that history will look back on him as one of the greats – both for his visuals and his storytelling. This post is not so much a review as some observations and musings after three hours in a theatre seat from the point of view of a photographer…
In many ways, the two industries are frighteningly similar: technologically complex, requiring huge capital investment for relatively small margins, enormous marketing machines, some semblance of ‘celebrity’ endorsement, and ever shrinking improvements just waiting for whatever technology is just over the bend (hybrids, Foveon sensors, etc.). Perception over substance rules, too. And there’s a lot of crossover between the enthusiasts of both – I have a huge number of students who are also petrolheads. But there are enough differences that one could learn from the other, I think…
In a break from regular programming, I’m going to take up one of my readers’ suggestions from a flickr comment and review something different for a change: a car. There are a few automotive journalists I admire and whose work I enjoy for various reasons; the Top Gear trio, Chris Harris, etc. But I’m going to approach this in the same style I approach my camera reviews: from an unashamedly practical standpoint and with some nice images. I’m an enthusiast and nothing more. Read on if you dare.
The internet is no longer the tool of knowledge sharing it originally started out being: it’s a commercial and marketing platform, pure and simple. Money goes to he who shouts the loudest, whether they might have anything worth listening to or not. Like everything, there’s good and bad to this. The good is easy: it’s made doing business ever easier than before (even if Paypal takes a huge cut as financial gatekeeper); especially for small businesses and individual proprietors who’d otherwise never have had access to those customers or audiences. Information is easily available; almost everything is there if you look hard enough. And on top of that, there are new and exciting streams of income that simply didn’t exist 15 years ago – sponsorship, paid blogging, pay-per-click, email harvesting…but is any of it really sustainable?
What do these two things have in common, other than they’re from (very, very loosely, give or take a decade) the same era?
For those of you who are curious about what I do, (and also so I don’t forget)…as far as I can determine, here’s the current list of my regular activities. I’ve found that I certainly can’t do the same one thing for long, and there’s definite value in having inspiration from many sources.
It seems that a lot of my other photographically-inclined friends and students share the same few passions – watches/ horology, cars, cigars, food/ wine, travel, and to some extent, hi-fi. It could be because serious photographers tend to be mostly male (no sexism intended, but 90% of my reader demographic and students are male) and these are male pursuits; however, the funny thing is that a good number of the ladies in the 10% share these interests, too. I’m not counting casual or passing fancies here – I’m only including people serious enough to devote a meaningful chunk of time and income towards these hobbies. Even so, the numbers are overwhelmingly in favor of just a few pursuits*.
*My point of view could however be biased by the demographic of my readers; I suppose if I surveyed those who lived in countries with strong anti-smoking laws, expensive car operating costs, and reasonable public transport – sounds like the UK – we’d find that cigars and cars drop off the list.
It would be an understatement to say that the site has taken on a life of its own far beyond what I would have envisioned a year ago. (At that point, I’d have been happy not to see a zero traffic count when I checked at the end of the day.) We have pretty much a complete ecosystem – Facebook page with 4600+ fans, a very active Flickr pool with 4,700 accepted images, 800-odd contributors, and on average, two hundred images for me to moderate daily; there’s of course the iPad app, and various local communities of readers and fans brought together by various events and workshops.
I post at least every two days, and sometimes more frequently than that. The posts average 2,000 words in length – those of you who haven’t been out of college that long will remember essays of that length took some time and effort to complete – plus the correct images and illustrations required to support the text. Some of these are even longer – camera reviews run in the 4,000-5,000 word range, and require even more extensive testing under controlled circumstances, plus shooting images specifically for the site. Let’s not even talk about how much time is taken up by double checking anomalies that could be potentially caused by sample variation or file handling. Magnum opuses – like the Camerapedia and dictionary (exclusive to the iPad app) – have upwards of 30,000 words and take cumulative weeks of work.
Then there’s the correspondence: direct emails, comments, Facebook messages and posts, Flickr messages and posts, group threads. I have no idea how many individual messages this comes to, but I do know that on an average day, I get 200-300 emails. Long ago – perhaps foolishly – I made a promise that I’d do my best to reply to and interact with all of the readers who cared to do so. I’m sticking by that, because I think it’s one of the things that differentiates this site from others – especially the larger ones where the proprietors sit in the clouds and pontificate, then largely ignore their readers.