OpEd: The career you really want

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Virtual banking, from The Idea Of Man series

A couple of weeks ago, I had dinner with some friends. One of them was in a senior role at a traditionally well-paid and respectable firm. He was contemplating a move to a new firm and a new position, with more responsibility, a bigger title and presumably also more pay. But the hesitation was palpable. In an unsolicited attempt to be helpful, I asked a slightly pointy question: what is it you really want to do? What would you do with your time and life if you had no other responsibilities or financial commitments? There was a pause, and then: ‘be a jazz bassist’. Changing firms in a similar role is already difficult enough at the best of times; changing industries is harder; doing a 180 degree turn out of finance into music is something else entirely. As somebody who’d done something similar, I felt it my moral duty to offer my completely unsolicited advice.

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OT guest contribution: The pathology of ‘fanboyism’ and a little advice to MT

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A representation of photographer logic; image suggested by MT.

A first for me: today’s post is an article courtesy of guest contributor, psychologist and photographer Dr. P.L., a London-based practitioner of some note who wishes to remain anonymous to avoid spam from said fanboys. I have asked him to keep the terminology as readable to the non-psychology layperson as possible.

I write this piece as a concerned reader and friend of MT: of late, I’ve started to notice a lot of hostility starting to creep into the comments, which must be addressed lest it be to the ultimate detriment of all.

Photography is a pursuit that is attractive to individuals who a) are creative, or believe they are creative; b) tend to be somewhat analytical; c) in general prefer to operate somewhat independently. As much as teamwork is required for a Crewdson-style production, ultimately there is still only one creative vision and one person aiming the camera. A) is necessary to be able to distil scenes of interest from the common. B) tends to be the case because some technical proficiency is required for the degree of control required to reliably translate vision to output. Photography is also an anthropological and psychological pursuit: we are reflecting ourselves in our observations, whether we share them with others or not. And more often than not we are observing others, too. I believe herein lies an explanation as to why photography seems to generate so many fanboys – and so much irrationality.

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Off topic: a creative frame of mind

Not conducive.

This post will not make any sense at first, and certainly not the title image – but I’ll get there. As a photographer – and a person trying to find something different and visually/aesthetically pleasing under sometimes challenging situations, it’s important to be aware of things that can limit or aid us. From a general life standpoint, the things that inspire us also tend to be the ones that put us in a good mood – and in what way is that bad? Having spent time in a wide range of places which cover all portions of the inspiration scale, there are definitely places that stand out as being better than others – but often for reasons that aren’t immediately obvious. But you do notice it in the way the locals smile, have a spring in their step, tend to be encouraged and happy to run their own small businesses, and generally seem happy. In contrast, places that stifle or are not conducive to creativity tend to be missing that ‘zing’: everything is transactional ends at the next buck.

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Off topic: personal/portable audio

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From left to right: Sony XBA-A2; Astell & Kern AK100 player; UE Triple.Fi 10P with custom cable; Audio-Technica IM50; Audio-Technica IM03; B&W P7; 6G iPod Nano.

I spend a lot of time on the road. Probably quite a lot more than the average person*. This has always been the case because I’ve almost always been in the service industry in a client-facing role, which means plenty of air miles. In a bid to make the commute a bit more pleasant – possibly even enjoyable – I slowly sank into the world of portable audio. This was 2003. I’m sure like horology, cars, cigars and the like there are more than a small number of people here who’ve also made that journey. Today’s post is a sort of meandering of thoughts – there are a number of parallels between photography and personal audio, both in the industry and the hobby, and perhaps some thoughts to take away. Plus, which serious listener isn’t always seeking the ideal setup? :) Read on, or skip forward if you’re not an audiophile.

*According to my frequent flyer statement, 540,000 miles in 2014.

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‘Interstellar’, the movies, and the general creative state of play

Interstellar official trailer #3

I found time to watch a movie the other day. This is an unusual occurrence for me because it takes a huge chunk out of my day; but it was raining and I was on foot without an umbrella. Interstellar was showing, and happened to be something whose trailer did actually show promise. Plus I’m a huge Christopher Nolan fan; I have no doubt that history will look back on him as one of the greats – both for his visuals and his storytelling. This post is not so much a review as some observations and musings after three hours in a theatre seat from the point of view of a photographer…

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OT: Of cars and cameras

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Race girl

In many ways, the two industries are frighteningly similar: technologically complex, requiring huge capital investment for relatively small margins, enormous marketing machines, some semblance of ‘celebrity’ endorsement, and ever shrinking improvements just waiting for whatever technology is just over the bend (hybrids, Foveon sensors, etc.). Perception over substance rules, too. And there’s a lot of crossover between the enthusiasts of both – I have a huge number of students who are also petrolheads. But there are enough differences that one could learn from the other, I think…

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A very OT review: the 2013 BMW Z4 28i

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In a break from regular programming, I’m going to take up one of my readers’ suggestions from a flickr comment and review something different for a change: a car. There are a few automotive journalists I admire and whose work I enjoy for various reasons; the Top Gear trio, Chris Harris, etc. But I’m going to approach this in the same style I approach my camera reviews: from an unashamedly practical standpoint and with some nice images. I’m an enthusiast and nothing more. Read on if you dare.

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OT: Thoughts on blogging in an increasingly crowded space

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Content consumption and creation is a 24/7 business.

The internet is no longer the tool of knowledge sharing it originally started out being: it’s a commercial and marketing platform, pure and simple. Money goes to he who shouts the loudest, whether they might have anything worth listening to or not. Like everything, there’s good and bad to this. The good is easy: it’s made doing business ever easier than before (even if Paypal takes a huge cut as financial gatekeeper); especially for small businesses and individual proprietors who’d otherwise never have had access to those customers or audiences. Information is easily available; almost everything is there if you look hard enough. And on top of that, there are new and exciting streams of income that simply didn’t exist 15 years ago – sponsorship, paid blogging, pay-per-click, email harvesting…but is any of it really sustainable?

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Choice, compromise and creativity

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What do these two things have in common, other than they’re from (very, very loosely, give or take a decade) the same era?

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Taking stock

_5019362 copy Time for a breather.

For those of you who are curious about what I do, (and also so I don’t forget)…as far as I can determine, here’s the current list of my regular activities. I’ve found that I certainly can’t do the same one thing for long, and there’s definite value in having inspiration from many sources.

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