Photoessay: Blue gulf

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Flying in and out of Doha is pretty spectacular – not just because of the flight path around Doha itself, but the route taken up the Arab Gulf thanks to Qatar’s…’issues’ with its neighbours. The  intense blue and cyan colors of the sea contrast spectacularly with the desert sand; made even more intense by sunshine unblocked by clouds. The amount of terraforming and reclamation that’s happened in the whole area is an impressive testament to the money flowing out of the ground – and modern engineering. Oddly enough, it reminded me of the set I shot over the Sunset Coast of Western Australia. I always try to fly this route simply because the view is spectacular and occupies at least an hour of the flight; fortunately this time I lucked out with a plane with windows that were both new/clean and didn’t have that annoying dimmable LED shade that looks clear, but actually is completely impossible to shoot through. MT

This series was shot with a Nikon Z7, 24-70/4 S and my custom SOOC JPEG profiles.

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Photoessay: Australian sunsets

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Boats under sky. This image is available as a 16×12″ Ultraprint in an edition of 20, here. Please include your telephone number for the courier at checkout.

Everybody likes a good sunset – I suppose it’s an age-old thing programmed deep into our DNA from the days when surviving to the end of the day was worthy of a celebration; not getting eaten or dying of disease was probably a good thing. Today it may be nothing more than the relief of surviving the boss or excitement at the start of the evening’s entertainment, but the satisfaction factor hasn’t changed. Every photographer has probably tried it at least once, and probably more, no matter how much it pains us to admit it. So why deny it at all? If anything, I’ll be the first to admit that doing something different is extremely challenging given the nature of the subject matter and limitations of perspective and position. It’s even more difficult because the very intense colors of an Australian sunset challenge the dynamic range of pretty much every camera – even the medium format monsters, requiring very careful exposure to avoid clipping a channel. Sit back and enjoy, whatever time it may be in your part of the world. MT

This series is presented in approximately chronological order, and was shot at various locations along the Western Australian coast on the Indian Ocean between Geraldton and Francois Peron National Park. I used a Hasselblad H5D-50c and various lenses, and post processed with Photoshop and Lightroom Workflow III and techniques in the Weekly Workflow.

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Photoessay: Seaside, Penang

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Sea eagle rock

Sometimes, we have very productive days inspired by our environments. This series was effectively shot in two afternoons – perhaps six hours total; it was just one of those days when everything came together – weather, location, possible subject matter. Perhaps it was brought on by me not particularly looking for anything and being receptive to possible scenes in a sort of photographic meditation/ relaxation; I’m one of those people who will shoot if idle just to see how things look and experiment a little. Half of these images were shot from a friend’s balcony along Tanjung Bunga north of Georgetown in Penang, Malaysia*; the other half were from a little beachside cafe in Batu Ferrenghi.

*Penang is a very rich photographic location; we cover it in How To See Ep. 3.

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Photoessay: A study of wave action

Some experiments into how the same subject can be simultaneously not the same. A bit of contemplative photography while on vacation. Or perhaps I just like water and waves for the same reasons I like clouds. Sometimes, we don’t need to think too much about it – just shoot. I need to go on holiday more often; but then again, don’t we all? MT

This series shot with an Olympus E-PM1 Pen Mini at Tanjung Jara, on the east coast of peninsular Malaysia.

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Photoessay: Seascapes

Inspired by Hiroshi Sugimoto. The South China Sea, off the east coast of Malaysia at Tanjung Jara.

This series shot with an Olympus E-PM1 Pen Mini and the 14-42 kit lens.

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