FD Photoessay: snippets of daily life

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Asleep on the job

Some images today from a few older rolls of film I found and recently processed; they don’t really have a theme other than some light documentary of my life; I don’t pretend they are significant to anybody – not even me – I suppose it’s more like a visual stream of consciousness than anything. And they just happened to have been shot on film – Acros 100 in an F2 Titan and the 58/1.2 Noct-Nikkor, to be precise.

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FD Shooting with the legends: The Nikon F2 Titan

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The F2 was introduced in 1971 off the back of the hugely successful F. Though external resemblances are similar, the camera was completely redesigned internally to improve reliability and ergonomics – firstly, the backs became hinged, and the shutter button moved forward to a more comfortable position at the front of the body and the wind stroke became shorter. The camera’s internal construction became modular, improving ease of repair. Batteries for powered finders migrated to a small cavity in the base of the body, with mirror lockup now standard. The titanium horizontal-travel FP curtains were improved and speeded up to offer 1/2000s and a 1/80s x-sync, up from 1/1000s and 1/60s in the F.

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Photoessay: Cars and film

From a recent roll shot with the Nikon F2 Titan, Zeiss 2/28 Distagon and Nikon 58/1.2 Noct on Ilford XP2-400 – somehow, a good number of the images turned out to be of cars, even though they were shot a quite different times. Even more curiously there are quite a few BMWs in there…

Note: Ilford XP2-400 is a C41 process black and white film, which means it’ll give monochrome (if in my experience, slightly toned due to the development chemistry) images through a normal minilab process. However, what isn’t so well known is that the film is also developable in regular black and white chemistry; I used DDX 4:1 at 26C for five minutes, and it worked out just fine – as you can see here. Contrast needed a bit of a boost after digital copying (with my usual D800E and macro lens setup), though, and dynamic range appears to be a bit limited compared to normal black and white negative film. Still, I’m quite pleased with the results. Enjoy! MT

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Images and content copyright Ming Thein | mingthein.com 2012 onwards. All rights reserved

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