After my review of his first book, I received a very complimentary email from Nick thanking me for my review and expressing something between relief and gratitude that the lengths he went to to get to prints right were being appreciated. A short correspondence developed, and he has very graciously agreed to an exclusive interview for the site, which follows my review of the final book in the series – Across The Ravaged Land – and constitutes today’s post. I admit that writing the questions for that interview made me somewhat nervous, because Nick is one of my few true photographic heroes; a rockstar with integrity, talent, and beyond that, passion. Let us begin.
I think many of you will recall me being quite blown away by the power of the images and the quality of the printing/ presentation in my review of Nick Brandt’s earlier twin book On This Earth, A Shadow Falls (here). I’m fairly sure many of you were too, judging from my email traffic, the comments, and the number of orders via Amazon. I’ve turned into an enormous fan of Nick’s work: he is the photographer’s photographer, a man who clearly thinks about what he’s doing, photographs with integrity, for a reason, with an idea, with the most appropriate tool for the job, and presents the images in the best possible way. Across The Ravaged Land, the final volume in the trilogy, raises the bar even further. I spent an hour with the book and felt like I’d been smacked upside the head with the Pentax 67II he favours. Allow me to explain why.
Note: in this article, I’ve attempted to reproduce the tonal feel and colour of the images as accurately as possible, but reality is that it’s simply impossible to do so via a screen and a JPEG. Just buy the book, and from the print quality alone you’ll see why every photographer should spend some time making prints. I can’t even begin to imagine the impact of the large format images.
Spoiler alert: my product photos in no way do this book justice. Not even close.
This article is going to be much less of a review than a gushing of praise; if you have a single photographic bone in your body, enjoy fine art printing, or photo books, or nature, or animals, or Africa, or any combination of the above – I think you’ll be blown away by this book. And at current discounts, it’s a steal for what you’re getting. I’d actually held off writing the review for some months simply because I wanted to a) have another chance to really study the images without the initial awe (it didn’t work, the awe is still there) and b) find a way to adequately express how they make me feel, as the audience.