Photoessay: Trees in monochrome

_8A00015bw copy

Today, we’re taking a little break from the travel-themed images I’ve been posting of late, and return to nature somewhat. I’ve always found something compelling about trees; I’m not sure why. Perhaps it’s some deep-rooted part of our subconscious that calls for an occasional visual break from the uniformly geometric concrete we live in, and an embracing of the naturally fractal and chaotic world for a change instead. Judging from the feedback on previous images and photoessays, I’ve also found this to be the case with a lot of other people, too.

[Read more...]

Photoessay: Random household objects in monochrome

_1M00754 copy
The hand

In an ideal world, the art of seeing and composition should be independent of one’s surroundings, subjects or location. Or at very least, one should attempt it. Even though it’s almost always easier for us to previsualize compositions when we are in an unfamiliar or new environment – that which is different always stands out the most – it’s good practice to see what can be found closer to home. I like to give myself this challenge on a fairly regular basis to keep things fresh; after all, if you can find a new and compelling image in a very familiar situation, it’s all the more likely you’ll be able to make one when you’re on assignment or travelling.

[Read more...]

FD Photoessay: Prague monochromes, part II

_8040557 copy

The second part of the monochrome photoessay from Prague was shot on film, with a Hasselblad 501C and my favourite B&W film – Fuji Acros 100. To be honest, given the tight quarters, I’d have preferred to have had something either a little wider or a little longer – preferably both – to give me some additional ability to add context, or compress (especially with buildings clinging to hills in the background). Nevertheless, we make do with what fits inside our camera bags – after making provisions for film, I didn’t have any space left for lenses!

[Read more...]

Photoessay: Prague monochromes, part I

_G002548 copy

I actually shot very little black and white in Prague; a few hundred from the Ricoh GR, and a couple of rolls with the ‘Blad; of course they were all of varying subjects with a heavy architectural emphasis, but I did get some very satisfying street images out of my time there. Despite the very strong luminance contrast available – October at these latitudes means all-day shadows and intense sun with blue skies – I just found color to pack a little something extra in most situations. That said – this set would not have worked in color at all.

[Read more...]

Photoessay: Semiclassical NYC street photography, part two

_X20_DSCF0226 copy

Today’s photoessay continues my exploration of NYC’s streets in black and white. Perhaps I’m being masochist in continuing this series after the dissenting opinions expressed in the comments in Part one (found here) – but once again, photography is subjective interpretation and each observer has their own views and preferences. I happen to like the precision and perfection others call ‘clinical soullessness’ – and I’d argue that the lack of imperfection is a style and skill of its own; consistently being able to find ‘perfect moments’ in a sea of uncontrolled chaos is extremely difficult indeed – which anybody would know if they’ve tried it. Enjoy. MT

[Read more...]

Photoessay: Semiclassical NYC street photography, part one

_5022256 copy

Given how ingrained certain locations are in the popular photographic consciousness due to heavy presentation in a particular style by multiple photographers – Paris and NYC in black and white of course come to mind – I think it’s possible to do one of two things: either avoid that style altogether and try to find your own, or explore a little in the genre and see what falls out. I had a chance to try both the last time I was in New York; to be honest, I found B&W with moderate contrast to suit the timeless feel of the location a bit better – as opposed to expressing the fleetingly temporal nature of life. There’s of course no right or wrong. (My attempt at individual style can be found here, in the NYC cinematics photoessay.)

[Read more...]

Photoessay: KLCC abstracts in monochrome

_8036203 copy
Half of perhaps the most iconic building in Malaysia.

Rather frustratingly, I’d actually typed out a long history about KLCC, but WordPress ate it and it’s nowhere to be found. Here we go again…

The Petronas Twin Towers – 88 stories, and part of the greater KLCC complex (including a park, two hotels, conventionn center, mall, mosque and another two office blocks) – put Malaysia on the map for megaprojects. Opened in 1998, the towers were designed by Cesar Pelli and completed by competing Korean and Japanese firms. It was paid for entirely by petroleum revenues from the eponymous national oil company; during the Asian Financial Crisis, occupancy was low – again with the exception of the name tenant – these days, things are back to normal and space is at a hideous premium, even on an international level. Architecturally, the site is challenging as it’s a former racecourse with very little bedrock and a lot of clay and porous limestone; this is the main reason for putting the taller, heavier structures around the periphery. Even so, extensive piling and foundation works had to be done, and many of the lower basement levels underneath the main towers are filled with concrete to settle the ground and form a floating slab on which some of the other outlying structures sit.

[Read more...]

Photoessay: San Francisco monochromes, part two: channeling Winogrand

_5020460 copy

One of the exercises I did at the last round of US workshops was an exploration into finding style. Naturally, having taken both of the groups in San Francisco to see the Garry Winogrand exhibition that was on at SFMOMA, there was more than a healthy curiosity amongst the groups to attempt to shoot replicate his way of shooting. I of course had to demonstrate. Whilst I don’t particularly care for his off-center/ misaligned/ ‘loose’ framing and various forms of blurring, I do appreciate his sense of timing and getting into the moment and the scene. Plenty of shooting from the hip or with the tilt screen and a wide lens ensued; the OM-D and 12/2 was weapon of choice. Enjoy! MT

[Read more...]

Photoessay: San Francisco monochromes, part one

I can’t really say these have a common theme other than reporting on life in the city; however, subjects, light and various urban geometry cooperated at times to make some images I was rather fond of. Enjoy! MT

_RX100_DSC4074 copy

[Read more...]

Photoessay: Fukuoka without people

_2_8030998 copy

What is a city without its people? What if a person from several thousand years ago were simply transported into the present day and dropped in any moderately-sized metropolis without any explanation – especially on a Sunday, when only a few brave souls are to be seen wandering the streets, purposefully running the gauntlet or perhaps acting as keepers of the strange world? Nature appears to have taken over in places, though the square rocks remain. Even the animals mostly avoid the place. Strange movable objects line every path. Did something bad happen here? Would they view the cities as strange landscapes? Or recognize them as artificial constructs? Perhaps they would wonder why anybody would leave nature to be all squashed together in square rectangular blocks…or maybe they wouldn’t even view the blocks as fit for human dwelling. To question, to wonder, to dream, to adapt, and go forth out to explore out of curiosity even if it makes us feel a little bit scared. That is what makes us human.

Or, perhaps, I just scared the Fukuokans off with the mighty clap of my Hasselblad mirror :P MT

[Read more...]

Follow

Get every new post delivered to your Inbox.

Join 23,856 other followers

%d bloggers like this: