The future of photography lies in education

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The industry in a nutshell: everything depends on everything else, but most importantly, knowing what everything does.

Over the course of the last few months, I’ve had a number of interesting conversations with quite a number of people involved in various areas of the photographic industry – from the corporate juggernauts that make the hardware, to the niche manufacturers, to professional photographers, to amateurs, clients/ image buyers and everything in-between. I suspect the nature of my work and involvement with the greater photographic community means that I have a little more insight into the big picture than most, and what I’m seeing honestly concerns me.

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The demise of the DSLR

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Five years ago, while I was writing for a local photo magazine, I was mostly in charge of the ‘big’ cameras – DSLRs and the like. There was no mirrorless category, with the exception of Leica; compacts meant serious image quality or lens quality compromises, and every serious photographer was typically also on first name terms with their chiropractor. You could still get film with relative ease, and better still, develop it. Not long ago, my desk had three cameras for review/ testing on it (the Olympus E-P5, Leica X Vario and Sigma DP3M – none of them were DSLRs. I now routinely travel without one; in fact, most of the time I do a lot of personal photography with compacts. And pretty much the only time my D800E comes out is when I’ve got a commercial job to shoot.

How things change.

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