Most of these are square because I was under the influence of Hasselblad at the time; with your primary camera set up to shoot black and white squares, it’s difficult to break your shooting rhythm to see much of anything else. However, this set was shot entirely with a Leica(sonic) D Lux 6. I think what’s interesting here is when I used the DL6 over the ‘Blad: mainly in situations where a) I wouldn’t be fast enough with MF; b) when it was too dark and I didn’t have the 400 back already on the camera; c) when I needed longer or wider perspectives I didn’t have as most of the time I was only carrying 50 or 80mm lenses. There’s still very much room in the bag (pocket?) for a smaller format and a smaller camera, even if you have to give up image quality: a shot is better than no shot at all. Admittedly, at these sizes and this presentation format, it’s not easy to tell what camera was used. Regardless, it’s always about the images: enjoy! MT
During the day, you sometimes come across one or two of these food carts hiding dormant and parked in an alleyway, shuttered up and slumbering. Lights off, boarded up, you have no real idea as to their purpose. However, as night falls, Fukuoka’s traditional food carts start to emerge from their various hiding places, spread their wings, awnings, seats, sidewalk tables, makeshift walls/ partitions, lights, signs (in effect being a complete portable mini-restaurant around a counter-cum-kitchen) and cooking paraphanelia, and more attractively, their fragrant smells. Most of them congregate by the river under some trees in a stretch that’s bounded by Hakata Canal City on one side, and the seedier red light district on the other. I suppose they cater to the shoppers before they go home, and the punters before they go out.
It’s impossible to go anywhere in Japan without happening across a temple or two. They provide both places of worship for the faithful and serene oases for the rest of us. They’re always impeccably maintained and a great show of craftsmanship; naturally lending themselves to photography. I spent half a day during my last trip to Fukuoka visiting some of the temples in the Gion district, and engaging in some slow, meditative photography with the Hasselblad. These images were shot primarily with the 80/2.8 CF on Ilford Delta 100 and scanned with the D800E. Enjoy! MT
What is a city without its people? What if a person from several thousand years ago were simply transported into the present day and dropped in any moderately-sized metropolis without any explanation – especially on a Sunday, when only a few brave souls are to be seen wandering the streets, purposefully running the gauntlet or perhaps acting as keepers of the strange world? Nature appears to have taken over in places, though the square rocks remain. Even the animals mostly avoid the place. Strange movable objects line every path. Did something bad happen here? Would they view the cities as strange landscapes? Or recognize them as artificial constructs? Perhaps they would wonder why anybody would leave nature to be all squashed together in square rectangular blocks…or maybe they wouldn’t even view the blocks as fit for human dwelling. To question, to wonder, to dream, to adapt, and go forth out to explore out of curiosity even if it makes us feel a little bit scared. That is what makes us human.
Or, perhaps, I just scared the Fukuokans off with the mighty clap of my Hasselblad mirror MT
On the last day of my recent trip to Fukuoka, I somehow managed to run out of film. The entire brick and both magazines of Delta 100 were depleted in a couple of hours; I was lucky enough to have magical light and the inspiration to shoot, so making the most of it, shoot I did. Let me tell you I wish they still made 220…12 frames for street work means reloading at least every half an hour or less if you’re in the thick of things.