Photoessay: Reflections on Singapore

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Central

I was in Singapore a few months ago both on assignment and for a private workshop; one of the things I’ve always enjoyed photographing is abstraction in reflection: there is no simpler decomposition of the image to shape, texture and colour than this. Fortunately, the weather was obliging on one of the days, and there’s plenty of such opportunities in Singapore. Despite what you might think, I shot quite a lot more than just the usual buildings in buildings…in fact, you’ll notice the second half of the set is quite a bit more whimsical and less brutalist/formalist.

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The Nikon D810 review: a worthy D800E upgrade?

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This article will not be a review in the conventional sense. I’ve covered the original D800 here, a mid-term report here, and a long term report of the D800E here; after more than 70,000 frames with one D800 and two D800Es, I think I can say I know these cameras pretty well. Instead, this report will focus on the important differences, and the reasons why I eventually caved and upgraded one of the cameras – and not just because I had that conversation with Lloyd Chambers. Whether these differences are significant enough is something that you will have to answer on your own, based on your own requirements.

Note: though I’ve completed enough bench testing to evaluate the camera’s image quality, between poor atmospheric conditions, testing of other prototypes (of course unpublishable) and family commitments around the festive season I have not had an opportunity to produce any images I’d consider worthy of publication. I aim to remedy this in the next couple of weeks, however; check my flickr stream for updates. So, I must apologize in advance for a review that’s somewhat lacking in the usual eye candy.

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On Assignment: the TBM breakthrough

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Today’s post is about a job I did at the start of January – the world’s premier maker of tunnel-boring machines, Herrenknecht (there are actually quite a surprising number) hired me to document the operation and breakthrough of their first variable-density boring machine*, which happened to be at work underneath Kuala Lumpur as part of the greater Klang Valley subway/ mass transit project. Up til this point, we have a pretty pathetic train system and monorail that doesn’t cover more than 3-4km; we don’t have a unified public transport system which combine with poor traffic management creates legendary jams**.

*Kuala Lumpur has a mix of rock and clay underneath it; you need a special machine to bore through both simultaneously – the machines for rock are too slow with clay and it also clogs the outlet ducting, and the machines for clay simply won’t cut rock.

**In the past, it has taken me up to 2 hours to travel the 1.5km from home to office at the wrong time. If you’re wondering why I didn’t just walk, try doing that in 35 C heat, 80+% humidity and the business suits that you’re expected to wear – not that clothes mean you’re any more or less competent at doing an office job…

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On Assignment: architecture by night

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Sometimes, one is given some pretty sweet assignments. Quite near the top of that list is a commission to photograph beautiful buildings by one of the country’s – arguably the world’s, too – leading architects with the rare thing of a completely open creative brief. This is the position I found myself in a couple of months ago, camera bag in one hand, Mother Of All (somewhat portable) Tripods in the other, and sheaf of permission letters and permits from Hijjas Kasturi Associates tucked away safe inside the camera bag just in case.

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Major D800/ D800E firmware update (additional: more Nikons, ACR 7.4 final)

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Just got an email from NPS: it appears that a lot of the issues with the D800/ D800E have been addressed (note: I didn’t say ‘resolved’, that remains to be determined after testing) in the latest firmware update A 1.01/ B 1.02. The list according to Nikon:

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Mid term report: The Nikon D800E

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I’d long ago intended to post a full review of the Nikon D800E, but somehow that got lost in a flurry of work, left-side AF problems, and repeatedly having to answer the question of ‘which camera should I buy?’ – note that this has now gotten even less straightforward now that the D600 is an option, too. And then there was the fact that it wasn’t really that different to the original D800, which I already reviewed here (I believe it was the first complete one up on the internet, actually). But now, I think enough time has passed, and I’ve used the camera under enough situations (and somewhere in the region of 20,000 images – almost all of them on-assignment) that I think it’s about time for a mid-term report card. This won’t follow the form of my historical reviews; rather it will take the form of a series of annotated comments. Some apply to both the D800 and D800E.

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Apples. D800E, Zeiss ZF.2 2/100 Makro-Planar

One general observation is that it seems Nikon got the product mix wrong – most of the photographers I know bought the D800E over the D800, figuring that if they were going to go all out with resolution, they might as well really go for broke. I suspect this is contributing to the limited availability of the camera, despite the D800 being in stock – Nikon’s facilities were probably geared up to produce more D800s, but the demand is in favor of the D800E. I was recently told by NPS in Malaysia that while the D800 is readily available, the D800E is still back-ordered for a month or more.

I’m going to start with the bad first, to get all the negativity out of the way upfront.

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Dragonfly. D800E, Zeiss ZF.2 2/100 Makro-Planar

Something still doesn’t feel right with the autofocus system.
Although my camera no longer exhibits any asymmetry with its focus points following the recalibration and fix by Nikon Malaysia, it just doesn’t seem to be as positive or accurate as the D700 was (or D600 is now). There are situations in which the camera nails everything perfectly, and situations under which it just seems to miss by a hair; far more of the latter exist than the former. And no combination of AF settings seems to work; this means that the D800 is effectively an unviable proposition to me as a documentary/ reportage camera. Bottom line: I’m not 100% confident that it’s going to focus where I tell it to.

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Up or down? D800E, 28/1.8 G

The viewfinder is nearly useless for manual focusing.
Sure, it’s big and bright and covers 100% of the frame, but the problem is that it just doesn’t have enough focusing ‘snap'; it’s very difficult to tell when things are in critical focus or not, which is made doubly critical by the extremely high resolution of the sensor. It seems that all modern focusing screens are really just optimized for brightness with slow zooms. I would have done the same thing I did to my D700 – namely, cut and fit a custom screen from one of the other cameras I like – the F6 type J and FM3A type K3 are my favourites. However, the D800’s focusing screen is so enormous that this simply isn’t an option – I think it actually has the largest focusing screen of any Nikon to date, which means there are no suitable donors. I’m trying to get hold of an original screen to see if I can make it more matte on my own, perhaps by grinding it down with 1200 grit sandpaper. (You’re probably wondering how I use the camera at all without AF and a good finder – since most of my work with this camera is tripod-based anyway, live view comes to the rescue.)

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The ZR012. D800E, 60/2.8 G Micro

Demands on lenses and technique are high.
It’s not the pixel density, but the pixel density for a given angle of view – this is the highest it’s been for any consumer/ prosumer level camera (i.e. non-medium format) to date. I think a lot of people confuse this with pixel pitch. The bottom line is that if your lens covers say 90 degrees horizontally, then the D800E puts much more resolving power per degree in the hands of the average photographer than they’re used to; this places corresponding demands on lens quality and technique (focusing, camera shake etc) than the vast majority people can manage handheld except under good light. I can’t even get a consistently sharp image unless I’m over 1/2x focal length – and I’m certain I’ve got better technique than average. This, and the size of the files (a throughput issue) make it impractical for a documentary/ travel/ journalism camera. Oh, and you’ve got to use good lenses too, which tend to be large and heavy – not ideal for walking around with.

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Eleven. D800E, 28/1.8 G

The live view exposure implementation needs work.
If you shoot manual exposure, live view mode always shows you a preview of the actual exposure. Guess what this means if you’ve got things set up for a studio strobe exposure with zero ambient: a black frame! You’ll have to toggle back and forth between P and M modes to focus, which wastes time and is unnecessary – especially since they fixed this on the D600. I hope it’s something that gets addressed in a future firmware update. Or, at least give us an option…

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Bored. D800E, 28-300VR

There are a few ergonomic fails.
The mode button is more and more annoying the more I use the camera – it’s just impossible to reach without contorting your grip, and muscle memory from using every other Nikon pro body means that you will almost inevitably try to change exposure with the video record button and back dial. The D-pad lock switch is too loose, and easy to activate, meaning that you may not be able to change focus point at a critical moment – and then be left wondering why, while your shot disappears. By a similar token, the metering mode switch is too stiff, and difficult to operate with the edge of your thumb. Aside from that, ergonomics are spot on. What I don’t understand is why Nikon seems to make minor changes between generations to both things that need fixing, and things that work fine as they are…

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Polo. D800E, 28-300VR

The shutter appears to have a vibration issue around 1/30s or so.
I’ve noticed a strange blurring/ double image that occasionally pops up in the 1/20-1/40s range; even with everything locked down on a heavy – Gitzo 5 series systematic – tripod and studio lights; the only conclusion I can come to is that somewhere in the shutter or mirror mechanism, something is vibrating at that natural frequency and creating a bit of camera shake. The solution around this has been to use live view and the self timer when required; it of course doesn’t require the mirror to cycle.

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3T MRI. D800E, Zeiss ZF.2 2.8/21 Distagon

File handling is…chunky.
This isn’t a flaw of the camera. But the increased amount of detail means even larger files than the D800; you’re looking at 40-50MB routinely for a compressed NEF. It would be a waste to shoot jpeg with this camera, of course. This is one of the reasons why I tell prospective buyers to think very, very carefully about whether they really need such large files: it has a knock-on effect on everything else from processing to storage. I usually open my raw files in batches; with the D700, my current laptop can happily handle 20; for M9, OM-D and RX100, it’s about 15; for the D800E…I think a threshold has been crossed somewhere, because it’s more like five.

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Sarpaneva Korona K0. D800E, 85/2.8 PCE

Now for the good news:

Visible diffraction is offset somewhat by the lack of an AA filter.
My work requires small apertures on a regular basis; the diffraction limit for the D800 was visibly between f8 and f11, with all other things equal. The lack of an AA filter allows you to claw back some perceptual sharpness (though remember that diffraction is a property of the pixel pitch, and still sets in at the same point for both cameras) – all other things being equal, this allows a D800E image at f16 to have the same perceptual sharpness as a D800 one at f11 or thereabouts. Handy. Needless to say, at smaller apertures, the D800E provides a noticeably crisper image – there isn’t necessarily more resolution, but the pixel acuity is definitely higher.

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All about the hair. D800E, Zeiss ZF.2 2/100 Makro-Planar

Moire is a non-issue for the majority of circumstances.
I don’t shoot a lot of fabrics or repeating patterns, but on the occasions I have done, I’ve seen very, very little moire. And these tend to be studio situations anyway, which means that I’m at small apertures; I can always have the option of removing any aliasing by stopping down a little bit more and letting diffraction take care of things for me should the situation arise. Conversely, I can’t add the acuity back to the D800’s files.

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Jaeger-LeCoultre Master Ultra Thin Moon detail. D800E, 60/2.8 G Micro

Image quality is impeccable.
After working regularly with good D800E files, it makes me feel as though my other cameras are all lacking something; however, the knowledge that you really have to have all your ducks lined up in a row to make the D800E sing is enough for me to remain happy with the image quality from the rest. That said, the D800E is easily the best DSLR at the moment for any form of controlled lighting or tripod work; color accuracy and dynamic range are both superb; pixel acuity is beyond reproach (with the right lenses, of course) and – barring the aforementioned issues – usability is excellent.

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Spiral. D800E, Zeiss ZF.2 2.8/21 Distagon

Battery life is outstanding.
Both the D800 and D800E have excellent battery life – easily 2000+ shots per charge without use of flash, or 1500+ if the built-in is used as a CLS trigger – which means that I only have one spare battery. This is a first for me: even my D3 had two spares. In fact, I think the real-world battery life of this camera is bested only by the D600.

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Omega Speedmaster 9300. D800E, 85/2.8 PCE

It doesn’t feel that heavy.
Even though the camera isn’t much lighter than the D700, you do notice the difference after a day of shooting with it – my hands just don’t feel as tired as they did when I was using the D700. Perhaps it’s also a function of grip shape. I don’t know if this has negative consequences for camera shake and stability, though – probably not, since the D600 is even lighter and seems fine (though admittedly it also has a much lower-vibration and slower shutter).

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How the other half live. D800E, 28/1.8 G

Overall, the impressions are good: very seldom is there a camera which I would consider perfect or close to it (the D700 was probably the last one) – the D800E pushes the image quality envelope forward by a significant margin, and with this necessarily comes compromises. The mistake I think most people make is in thinking that if you used the D700 with great results, you should be able to do the same with the D800E; no. Even for somebody who pays constant attention to shot discipline, you will find situations under which the demands of the sensor exceed your ability at that moment to achieve a pixel-level, critically sharp image. I know, because it’s happened to me several times.

This brings me to the final portion of this report card: I want to conclusively answer the ‘what should I buy?’ question once and for all.

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Jaeger-LeCoultre Reverso Latitude. D800, 60/2.8 G Micro

Buy the D600 if:

  • Size and/or weight is a priority.
  • You are coming from a DX body that doesn’t have the same controls as the pro bodies (anything except the D2H/D2x/D300/D200)
  • You just want a general purpose FX body, and getting the large sensor ‘look’ is your priority.
  • You want resolution for large prints but can’t afford a D800E.
  • You shoot mostly handheld
  • You shoot a lot of live view work in the studio
  • You don’t print larger than 40×60″ or so

Buy a (or keep your) D700 if:

  • Budget is a priority – second hand D700s are abundant now, and cheaper than new D600s. They’re still capable of producing excellent images – I still use mine for reportage work.
  • You need speed or AF tracking ability – it has more coverage than the D600, and (I feel) higher precision than the D800E. It also runs at up to 8fps, which none of the others can.
  • You do a lot of low light or marginal shutter speed work – it’s just more forgiving for handholding.
  • You shoot in hostile environments
  • You don’t print larger than 20×30″ or so
  • Workflow throughput is a priority – events, weddings, sport etc.
  • You shoot mostly handheld
  • You don’t need video or live view

Buy the D800E if:

  • You need to have the absolute best image quality in a DSLR available now (due to lenses, or budget vs MF, or whatever)
  • You don’t mind using studio lights and/ or a tripod to maximize image quality
  • You don’t mind re-evaluating your lens lineup
  • You shoot a lot of video – it has manual exposure controls and power aperture than none of the other cameras do
  • You need to print larger than 60″ wide
  • You don’t mind (and have the hardware to) handle enormous files

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Nadiah. D800E, 45/2.8 P

And what about the D800? Well, I honestly can’t see why anybody would bother unless money is super-critical, or you shoot a lot of fabric –  the price difference to the D800E isn’t big enough to be a factor if you’re already committed to spending that much money, and it requires almost as much shot discipline and lens quality anyway. Finally, if you do a lot of long lens work – wildlife or similar – then you should probably look at a DX body instead; cropping isn’t going to up your frame rate much, or improve AF ability; the D600 and D700 probably won’t have enough resolution for demanding applications in DX crop mode, either.

I think what says the most about this camera is the fact that I only use it on assignment – it isn’t my first choice when I’m shooting personal work, or teaching (except in studio), or just going out for a while and feeling like I want to do some photography; something’s missing. And I don’t know if it’s the file sizes and processing that subconsciously puts me off, or something AF-related, or perhaps I’ve just moved on from feeling the need to carry a big camera for reassurance. Bottom line – I’m just not bonding with it in the same way I did with my D700, or even D2H for that matter – and those were even larger and heavier cameras. All of that said, I wouldn’t dream of using anything else for critical commercial work. MT

The Nikon D800E is available here from B&H and Amazon and the D600 here from B&H and Amazon.

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Photoessay: The Jaeger-LeCoultre Reverso Latitude

Not a commercial job, but one of those watches I’d personally encountered once, a long time ago in 2003, but was unable to afford at the time. Nevertheless, it left an impression on me, and from the time I did have the money to spare, I’ve been hunting one down. The problem is that they were very rare to begin with – I believe just 150 pieces were made – and with a very unique and beautiful dial; consequently, they’re rarer than hen’s teeth, and I’ve only ever seen one offered for sale new, and a grand total of zero on the secondary market. On my last trip to the factory, I did ask on the off chance that there was an unsold piece or two in the stockroom; there wasn’t.

On the way back to Kuala Lumpur, I passed by the watch shop in the airport without a second thought; after all, I was late for my flight at that point and had to run. Something compelled me to take a quick look; in a display case hiding behind a pillar was the very watch I’d been searching out for years. Some hasty negotiation ensued – it was obviously a new old stock piece bearing the marks of rough handling, but still sold as new with warranty – they were nice enough to give me a hefty discount and an additional strap. My wallet was suitably lightened, and I just managed to make my flight.

It’s a small watch by today’s standards, but is very thin (and of course mechanical) and pairs perfectly with a suit. The original Reversos were double sided with a blank metal case back, ostensibly to protect the watch while its wearer played polo; these days they’re either used as a second dial for complications, or a canvas for an engraving or art piece. I’m thinking of getting a Hokusai wave enameled on the back, but I’m in no hurry; these things are like tattoos; once it’s on, it’s for life.

If this story isn’t an example of fate and patience, I’m not sure what is. It seems that good things do come to those who wait. MT

This series shot with a Nikon D800E, SB900s, AFS 60/2.8 Micro and Zeiss ZF.2 2/50 Makro-Planar.

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Visit our Teaching Store to up your photographic game – including Photoshop Workflow DVDs and customized Email School of Photography; or go mobile with the Photography Compendium for iPad. You can also get your gear from B&H and Amazon. Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

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Nikon D800/ D800E left focus problem update: fixed successfully!

Just got my D800E back from NPS. Apparently, the cause of the focusing problem in all cases is some inaccurate calibration data entered during the alignment/ calibration process. I was told it’s basically a case of hooking the camera up to the laser calibration jig, and letting a piece of software run a calibration routine point by point – there are no physical or mechanical adjustments made to the camera. The software then writes this somewhere in the camera’s ROM for future use. All testing is done with the 50/1.4, and the instrumentation is apparently sensitive enough to detect minor focus errors – they’re also present even on teles, but less obvious, is what I was told.

Also asked about the new firmware that’s appearing in some cameras – apparently it’s legitimate, but not officially downloadable yet. No news on when that might be. My camera still has the same firmware it went in with – A 1.00, B 1.01, L 1.006.

The good news is that all of the wides I tried the camera with now focus consistently between AF and live view, i.e. there’s no difference between the results from either AF system. I repeated the test a number of times, each time with the camera locked down on a Manfrotto Hydrostat head on top of a Gitzo 5-series systematic tripod, using flash. (Let’s just say that camera shake is a non-issue.) However, it’s also revealed that lenses are a lot less perfect and symmetrical than we would like them to be…the D800E has one seriously demanding sensor.

D800E-af test-post-fix

This example set shot with the 28/1.8G at f1.8. The original size is visible here, which is a screen shot of 100% crops.

Conclusion: problem solved. If you do have the left side AF issue, then send it in and insist they look at it – because there exists a fix, and it works. Barring any further AF oddities (it’s night time here and I haven’t had a chance to test AF tracking or 51-point 3D yet), I’m considering this issue solved. Thanks to the folks at Nikon Malaysia for turning around the camera so fast!

I’m off to break out the LensAlign to run AF fine tune on the rest of my lenses again. MT

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How to tell if your D800/ D800E/ D4 has the ‘left focusing problem’

I’ve been asked this question more times in the last few days than I can remember: ‘does my D800/ D800E/ D4 have the left side focusing problem?’

Here’s how you can tell.

1. Pick the widest, fastest lens you own. A 24/1.4 is ideal.
2. Shoot it wide open, with the camera on a tripod, AF set to AFS single point.
3. Shoot a set of images at extreme left, center and extreme right, defocusing the lens manually between shots. Use viewfinder AF. Pick a subject about 2m away.
4. Without moving the camera, do the same but in live view. (This is so the camera focuses exactly on the sensor).

5a. If there is no difference in sharpness in AF and LV modes between the points across the frame, then you’re fine and don’t have a problem. (But you might of course find the edges worse than the center; that’s normal. LV and AF focused shots at each point should look exactly the same in a correctly calibrated camera.)

5b. If LV is sharper than AF for all frames, then you need to use AF fine tune and try the process again.

5c. If the LV shots look sharper for only some, but not all, of the points, (e.g. right and center points look the same for AF and LV, but your left point is much sharper in LV than AF) – then you have the asymmetric focusing problem and your camera has to go back to Nikon.

You might also find this article useful on how to use AF fine tune.

And with that, I’m off to send my camera in for the fix. Will report back later (or tomorrow, whenever it’s done)…MT

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Recommended lenses for the Nikon D800E

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Not quite summer at the Lac du Joux. Nikon D800E, Zeiss ZF.2 2.8/21 Distagon

Having had a solid couple of months to use the Nikon D800E and a variety of lenses, I’ve now compiled my recommended list of recommended lenses for the camera; some of the entries might or might not surprise you. These are lenses which I would not hesitate to use wide open, and will give you outstanding acuity, color and resolution providing you manage to nail the focus, of course. I’ve tested multiple samples of these lenses, as it seems that these days, consistency is hugely important and not always guaranteed. This list is also not exhaustive, because I’m sure there are exceptional copies of lenses I’ve ruled off the list, and there are almost certainly other obscure optics which I haven’t had the chance to try (and probably won’t ever manage to, either.)

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Grain silo. Nikon D800E, AFS 28/1.8

Wide
Nikon AFS 28/1.8 G
Carl Zeiss ZF.2 2/21 Distagon T*
Carl Zeiss ZF.2 2/28 Distagon T*

Normal
Nikon AI 45/2.8 P
Nikon AFS 60/2.8 G Micro
Carl Zeiss ZF.2 2/50 Makro-Planar

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Pears. Nikon D800E, Zeiss ZF.2 2/100 Makro-Planar

Tele
Nikon AFS 85/1.8 G
Carl Zeiss ZF.2 2/100 Makro-Planar
Any of the Nikon superteles

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Maitres du Temps Chapter 3 Prototype. Nikon D800E, AFS 60/2.8 G

Zooms
Nikon AFS 16-35/4 VR N
Nikon AFS 24-70/2.8 G N
Nikon AFS 70-200/2.8 II VR G N

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Sushi. Nikon D800E, PCE 85/2.8

Special purpose
Nikon PCE 85/2.8 Micro

Near misses (close, but not quite in the awesome league).
Nikon AFS 14-24/2.8 G – performance at 14mm lets it down, in my mind.
Nikon AFS 24/1.4 G N – I think this one is very, very borderline: if you get a good sample that focuses properly, it can probably be added to the list. However, I’ve used many of these lenses and there seems to be a lot of sample variation and focusing issues even on D700/D3 bodies; it doesn’t give me a lot of confidence.
Nikon PCE 24/1.4 – I’ve used one excellent one, and one that was merely so-so. Mixed reports on the web don’t suggest that the so-so one is a rare anomaly, and there just aren’t any more of them for me to test.

You’ll probably have noticed that the 28-300VR didn’t make the list; it’s because the lens just didn’t perform on the D800E to anywhere near the same extent it did on the regular D800. Just one of those inexplicable anomalies…

For more detail on any of the lenses mentioned here, visit the CAMERAPEDIA! MT.

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Visit our Teaching Store to up your photographic game – including Photoshop Workflow DVDs and customized Email School of Photography; or go mobile with the Photography Compendium for iPad. You can also get your gear from B&H and Amazon. Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

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