Today’s post is going to be something of a counterpoint to yesterday. Every time we frame up an image, we ostensibly try to capture something different, unique – in essence, to take a photograph that has never been taken before. But more importantly, the resultant outcome must actually look like it has never been taken before, by appearing quite distinctly different from anything else. That’s the part which is not so easy.
Each of the images in this set represents the outcome of a new experiment for me: subject, idea, execution, processing, equipment or something else. They are almost certainly unique, but I cannot say that they have not been attempted before, by somebody else. Take, for example, the fact that they were all shot on film: film is not new, even to me. But developing my own film and looking at the tonality achievable undoubtedly influences the way I process my digital files. Just as composing in squares does affects the way I see the world, too; and so on.