Photoessay: Fukuoka without people

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What is a city without its people? What if a person from several thousand years ago were simply transported into the present day and dropped in any moderately-sized metropolis without any explanation – especially on a Sunday, when only a few brave souls are to be seen wandering the streets, purposefully running the gauntlet or perhaps acting as keepers of the strange world? Nature appears to have taken over in places, though the square rocks remain. Even the animals mostly avoid the place. Strange movable objects line every path. Did something bad happen here? Would they view the cities as strange landscapes? Or recognize them as artificial constructs? Perhaps they would wonder why anybody would leave nature to be all squashed together in square rectangular blocks…or maybe they wouldn’t even view the blocks as fit for human dwelling. To question, to wonder, to dream, to adapt, and go forth out to explore out of curiosity even if it makes us feel a little bit scared. That is what makes us human.

Or, perhaps, I just scared the Fukuokans off with the mighty clap of my Hasselblad mirror :P MT

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Photoessay: Monochrome vignettes from Shwedagon Pagoda with the Leica M Typ 240

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Perhaps the most famous landmark in Burma, Shwedagon Pagoda has been a focal point for life in Yangon for a very long time – it has reputedly existed in some form or other for the last 2,600 years. It reached its current height of approximately 114m in the late 1700s after the most recent rebuilding as a result of multiple earthquakes. It is thought of as the most sacred location for Buddhists in Burma, with the relics of multiple past Buddhas housed within: the staff of Kakusandha, the water filter of Koṇāgamana, a piece of the robe of Kassapa and eight strands of hair from Gautama – the one traditionally thought of as Buddha. An exact replica exists in Naypyidaw (the new capital of Burma).

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B&W samples from the Leica M Typ 240

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Quite a number of readers have asked about the Leica M Typ 240‘s potential for black and white usage. I think perhaps a more accurate description of the question would be: do the M 240’s files convert well to black and white? And if so, how do they compare to the output of the M Monochrom? I’m going to answer this in the context of raw conversion – there will be some users who only employ out of camera JPEGs, however, like the Monochrom, the M 240 requires processing of a DNG file to get the most out of it. And yes, there is a very significant difference.

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Last day to enter – win the multispectral Sony NEX-5!

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Today is the last day to enter the Mingthein.com black and white challenge. The prize is a Multispectral Sony NEX-5 (complete with kit lens and everything else a new one comes with, except the strap which I can’t seem to find) that shoots in UV, IR and Visible light – modified by yours truly. It is an outstanding machine for B&W photography, and has no anti-aliasing filter to boot.

I’ve created a new group on Flickr here: The Mingthein.com B&W Challenge specifically for this purpose.

1. Like the site’s Facebook page – title your submission with your Facebook username so I can check. Entries without Facebook usernames will be disqualified.
2. To submit an image, enter it in The Mingthein.com B&W Challenge Flickr group pool.
3. Your image must be in black and white; toning is NOT allowed.
4. Any subject, medium or cameras is fair game. You can shoot large format sheet film if you are so inclined.
5. Postprocessing is allowed, but anything overly done will almost certainly not win on aesthetic grounds.
6. Judging will be by me and the anonymous donor of the camera; our decision is final. The best image will win. And yes, it’s subjective etc – but this is a photography contest, photography is art, and art is a matter of taste.
7. Images will have a better chance of winning if they meet most or all of the important factors; you can find a lengthy discourse here…
8. You must own the rights to the image you submit.
9. The competition will run until the end of January 2013; closing time is 00:00 1 Feb 2013, GMT+8 (i.e. the end of the 1st of Feb when it hits midnight in Kuala Lumpur; easier to give the people in odd timezones a fair chance)
10. Multiple entries are allowed, but I’m going to restrict the pool to one per person per week: think carefully before you submit. You can remove and replace if you shoot something better.
11. You will need a flickr account to post images to the pool, but it’s free to sign up.
12. By entering, you give me and the mingthein.com site the right to re-post your image as part competition announcements and posts.
13. The winner will be announced in the first couple of weeks of February 2013 – depending on when I can meet up with our donor for the judging. We’ll ship the camera to you by EMS shortly thereafter.

Shoot me an email if there are any questions. I think that’s about it – good shooting, and good luck! MT

Competition: Win the multispectral Sony NEX-5!

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In yesterday’s post, I recounted the journey of modifying a digital camera with the intention of creating something that would deliver outstanding out-of-camera black and white results; I had the rich, deep shadows and light but subtle highlights of film in mind, plus the crispness of the best non-AA-filtered cameras. The result, after three days of work and testing – on a camera generously donated by a reader – is a Sony NEX-5 that has no filtration in front of the sensor other than the Bayer pattern – no UV or IR or anti-aliasing. You’re looking at bare silicon if you stare down the lens mount.

Today, I’m happy to announce a competition which will give a reader a chance to own a camera personally modified by me. The camera is as-new cosmetically, is complete with box, kit lens and all accessories as sold (except the strap, that seems to have gone missing); it is out of warranty though (and will be anyway since I ripped out the filter pack).

Since this is a photography site first, and this camera was supposed to be a monochrome machine, it can only mean one thing: a black and white challenge!

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I’ve created a new group on Flickr here: The Mingthein.com B&W Challenge specifically for this purpose.

1. Like the site’s Facebook page – title your submission with your Facebook username so I can check. Entries without Facebook usernames will be disqualified.
2. To submit an image, enter it in The Mingthein.com B&W Challenge Flickr group pool.
3. Your image must be in black and white; toning is NOT allowed.
4. Any subject, medium or cameras is fair game. You can shoot large format sheet film if you are so inclined.
5. Postprocessing is allowed, but anything overly done will almost certainly not win on aesthetic grounds.
6. Judging will be by me and the anonymous donor of the camera; our decision is final. The best image will win. And yes, it’s subjective etc – but this is a photography contest, photography is art, and art is a matter of taste.
7. Images will have a better chance of winning if they meet most or all of the important factors; you can find a lengthy discourse here…
8. You must own the rights to the image you submit.
9. The competition will run until the end of January 2013; closing time is 00:00 1 Feb 2013, GMT+8 (i.e. the end of the 1st of Feb when it hits midnight in Kuala Lumpur; easier to give the people in odd timezones a fair chance)
10. Multiple entries are allowed, but I’m going to restrict the pool to one per person per week: think carefully before you submit. You can remove and replace if you shoot something better.
11. You will need a flickr account to post images to the pool, but it’s free to sign up.
12. By entering, you give me and the mingthein.com site the right to re-post your image as part competition announcements and posts.
13. The winner will be announced in the first couple of weeks of February 2013 – depending on when I can meet up with our donor for the judging. We’ll ship the camera to you by EMS shortly thereafter.
14. There is no time limit on when images have to have been taken.

Shoot me an email if there are any questions. I think that’s about it – good shooting, and good luck! MT

Photoessay: The people of Tokyo

Another one of the continuing series from my last Tokyo trip – this time focusing on is inhabitants. Enjoy! MT

This set was shot with an Olympus OM-D and the ZD 45/1.8. As usual, click on any image to go to its Flickr landing page; EXIF data is intact on the right hand side link.

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Plenty to spare, Ginza

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Geisha in training, Asukusa

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Maid for hire, Akihabara

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Only in Tokyo would this be considered normal. Shibuya

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Putting up a wager, Asakusa

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Untitled. Senso-Ji temple grounds, Asakusa

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Coffee break, Shibuya

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A considered proposition. Somewhere along the Yamanote line

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Reading the fine print, Akihabara

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What happens after closing time. Asakusa

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Elegant shopping. Ginza

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Public opinion, Shibuya

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A Japanese cliche, Shibuya

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Even the chauffeur gets lost sometimes. Ginza

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If you enjoyed this post, please consider supporting the site via Paypal (mingthein2@gmail.com); Ming Thein’s Email School of Photography – learn exactly what you want to learn, when you want to learn it or learn how to achieve a similar look with our Photoshop workflow DVDs.  You can also get your gear from Amazon.com via this referral link.  Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

Don’t forget to like us on Facebook and join the Flickr group!

Images and content copyright Ming Thein | mingthein.com 2012 onwards. All rights reserved

Photoessay: Tokyo monochromes

This set is a whole bunch of little snippets of life from around Tokyo – mostly Shibuya, Shinjuku and Ginza. I’ve tried to get into the Japanese style of street photography/ reportage a little; the intentional chaos is somewhat unnerving to my perfectionist nature and definitely not so easy to replicate. Still, I think I got just enough of an influence in there to get something different to my normal work. MT

This set was shot with an Olympus OM-D, ZD 12/2, 45/1.8 and Sony RX100. As usual, click on any image to go to its Flickr landing page; EXIF data is intact on the right hand side link.

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Shadow of a head

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Look before you leap

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Untitled

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Diagonal

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Trapped

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Meditation nap

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Lines I

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Lines II

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Overpackaged

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Ginza reflections

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Confidence

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Bad boy I

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Bad boy II

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Just another afternoon in Shibuya

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If you enjoyed this post, please consider supporting the site via Paypal (mingthein2@gmail.com); Ming Thein’s Email School of Photography – learn exactly what you want to learn, when you want to learn it or learn how to achieve a similar look with our Photoshop workflow DVDs.  You can also get your gear from Amazon.com via this referral link.  Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

Don’t forget to like us on Facebook and join the Flickr group!

Images and content copyright Ming Thein | mingthein.com 2012 onwards. All rights reserved

Photoessay: Paris part three: some architectural cliches

Finishing this three-part series on Paris are some architectural shots and general cityscapes; the grandeur, oldness and overall feel of the place is something that’s evident the moment you start walking around. Capturing the atmosphere in a photograph of a relatively static scene that both invokes some feeling (and not a postcard) isn’t so easy to do; there are only so many angles of the Eiffel tower that work compositionally.

This series shot with a Leica M8, 21/1.4 ASPH and 50/1.1 in 2009, except for the Eiffel Tower shot which was with a D200 and 17-55 in 2007.

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If you enjoyed this post, please consider supporting the site via Paypal (mingthein2@gmail.com); Ming Thein’s Email School of Photography – learn exactly what you want to learn, when you want to learn it or our Photoshop workflow DVDs.  You can also get your gear from Amazon.com via this referral link.  Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

Don’t forget to like us on Facebook and join the Flickr group!

Photoessay: Paris part two: the streets, in B&W

Part two continues with a series from my last visit; focusing on the people of Paris. This is a place where hyperfocal shooting, honing your distance-estimation skills and shooting like a stealth ninja are the order of the day.

This series shot in 2009 with a Leica M8, the 21/1.4 ASPH and Voigtlander 50/1.1.

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Visit our Teaching Store to up your photographic game – including Photoshop Workflow DVDs and customized Email School of Photography; or go mobile with the Photography Compendium for iPad. You can also get your gear from B&H and Amazon. Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

Don’t forget to like us on Facebook and join the reader Flickr group!

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Images and content copyright Ming Thein | mingthein.com 2012 onwards. All rights reserved

Photoessay: Paris part one: color vignettes

One of the spiritual homes of street photography, Paris is actually quite a challenging environment to shoot in – partially because the people are rather unfriendly, and because the urban space itself isn’t really human scale. The left bank is much more conducive to shooting.

This series is a mix of images from 2007 and 2009; shot with a Leica M8, 21/1.4 ASPH, 50/1.1 and Nikon D200 with 17-55/2.8.

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Visit our Teaching Store to up your photographic game – including Photoshop Workflow DVDs and customized Email School of Photography; or go mobile with the Photography Compendium for iPad. You can also get your gear from B&H and Amazon. Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

Don’t forget to like us on Facebook and join the reader Flickr group!

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Images and content copyright Ming Thein | mingthein.com 2012 onwards. All rights reserved

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