Cuba – in the bag assessment

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Me getting down in Havana. Photo courtesy KH Yeo

If you’re going on a trip that’s probably never going to be repeated (let’s assume it isn’t for a job where you’d have to bring everything you could possibly need and spares) – what do you bring? The tried and true, or the new gear you think might work? And more importantly, how does one balance it out against the current draconian carry on limits, and one’s endurance in the field? After all, there’s no point in bringing the best camera only to leave it in the hotel…read on and see how my bag did in Havana. I made a very conscious choice to travel as light as possible and leave behind the tripod; it was a last minute change mainly due to luggage space challenges and a lack of foreseeable night/ long exposure photography.

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Packing for the USA

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On the road again.

One of the conundrums I always face before a trip of any sort is the question of what gear to bring. It isn’t so much of a problem if I’m on assignment, because what I need is dictated by the brief of the job, but it’s a completely different story when I’m teaching, or worse, travelling for myself. I suppose it’s a problem faced by anybody who’s got more than one complete set of gear. There was a time when I used to simply take every (or nearly every) lens I owned – whilst this would ensure that you’d never miss an opportunity, it’s also a great way to rack up chiropractor bills and ensure that you really don’t enjoy your trip. Lugging everything from place to place becomes a chore, and taking photographs turns into a burden rather than a joy.

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