Lens review: The Leica 35/1.4 Summilux-M ASPH FLE

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I couldn’t find a product shot in my archive, so you’re going to have to settle for one of me using it instead.

Not long after this lens was initially released and generally available – early 2012 – I published a guest post review here on the Leica Blog. At that point, I’d had no more than a couple of weeks to shoot with the lens, and certainly not under any kind of duress or pressure. Since then, I’ve both encountered many situations with the lens and used it as pretty much the go-to on my M9-P in the hopes of making 35mm one of the intuitive focal lengths in my repertoire. It didn’t stick, and somewhere in the middle of last year, I landed up selling it to one of my students.

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Diner. All images in this review shot with the Leica M9-P except where otherwise noted.

I’ve been meaning to do a full review for some time now, but the reality is that there have been many other things which have gotten in the way – or perhaps I should stop making excuses for being lazy.

The 35mm f1.4 Summilux-M ASPH FLE is version seven in a long and distinguished line of lenses – some may even think of them as legendary and quintessentially Leica. They’ve grown larger, heavier and more expensive as time moved on – earlier versions were practically pancakes compared to the 35 FLE, but admittedly they were also relatively poor performers at maximum aperture. The previous version (VI) featured a single aspherical element (there was a very rare double aspherical version produced too, relatively early on in the life of this lens) and was known for being both an excellent optic, but hamstrung by one huge flaw: focus shift.

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