The book that was not to be (or the print-on-demand conundrum)

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I’ve wanted to present a book for a while, because I agree with these who’ve suggested in the past it’s an excellent way of presenting a set in a controlled and curated way – but have always held off for a couple of reasons; firstly, the work I want to present wasn’t finished enough to form a complete idea; secondly, there are challenges associated with economics, distribution, quality, etc. I thought I found a good enough solution…until the proofs arrived, and all of those things crashed back down to earth. So instead I’m going to offer you an apology.

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OpEd: resolution, output, collector or photographer?

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The Internets have been alive with the noises of high resolution (if that isn’t a messed up metaphor, I’m not sure what is) cameras. “Finally, my photos will be better!” Let’s pause for a moment here. There are a lot of assumptions being made, and a lot which is not obvious. And I’m writing this article to address the flood of email I’ve been getting asking for an opinion.

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Photoessay: Until next time, Chicago

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Variety, hope and restoration

I loved the short amount of time I spent in Chicago; more than enough to want to go back again very soon. I’ve never been in any other place that felt quite so much like being in an open-air architectural museum; it isn’t so much the history but the diversity of styles, the visible progression and being able to see these buildings very much used as intended, and sometimes beyond the imagination of the original architects. Several days of very cooperative weather and a never-ending variety of clouds didn’t do any harm, either. This will be my final post of images from Chicago; fittingly, it’s a mixed cityscape/ architectural set. Enjoy! MT

Shot with a Pentax 645Z, 55 and 150mm lenses, Nikon D810, 24 PCE, Zeiss Otus 1.4/85 and Ricoh GR.

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Photoessay: Hong Kong from the air

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One of my recent assignments in Hong Kong involved some helicopter time; I made the most of the lull in transit between locations by doing a little sniping. I’m sure there was some subconscious inspiration by Yann Arthaus-Bertrand’s Earth from the air, but for the most part, I was doing my usual search for interesting geometries (and admittedly, some landmarks) but in mostly two dimensions.

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Limited edition Ultraprint offer: Forest IV (update – 5 left)

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(Click here for a larger version, Apple 27″ native)

Forest IV, Selangor, Malaysia. 57×22″ (145x56cm) printed area – Ultraprint on Permajet Portrait White matte cotton paper; $1,600 including DHL shipping anywhere in the world. Limited edition of 10 prints, never to be printed again at this size. Click on to order… [Read more…]

Off topic: personal/portable audio

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From left to right: Sony XBA-A2; Astell & Kern AK100 player; UE Triple.Fi 10P with custom cable; Audio-Technica IM50; Audio-Technica IM03; B&W P7; 6G iPod Nano.

I spend a lot of time on the road. Probably quite a lot more than the average person*. This has always been the case because I’ve almost always been in the service industry in a client-facing role, which means plenty of air miles. In a bid to make the commute a bit more pleasant – possibly even enjoyable – I slowly sank into the world of portable audio. This was 2003. I’m sure like horology, cars, cigars and the like there are more than a small number of people here who’ve also made that journey. Today’s post is a sort of meandering of thoughts – there are a number of parallels between photography and personal audio, both in the industry and the hobby, and perhaps some thoughts to take away. Plus, which serious listener isn’t always seeking the ideal setup? :) Read on, or skip forward if you’re not an audiophile.

*According to my frequent flyer statement, 540,000 miles in 2014.

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Last day for How To See video bundle sale

HTS xmas bundle

Today is the last day for the How To See Ep. 1-4 video bundle sale – that’s Kuala Lumpur, Tokyo, Penang and Melbourne for $160 instead of the normal price of $252; Ep. 5 Havana full episode and trailers for the other four episodes after the break. MT

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Photoessay: Dusk to dawn in Queenstown

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Sunset cloud shadow

On my recent trip to New Zealand, I spent some time exploring an aspect of photography which I hadn’t really done much work in up til now: long exposures, night work and astrophotography. Unfortunately there was only one clear night for the latter, and the duration of exposures + noise reduction meant not a whole lot of individual shot opportunities; still, I’m fairly pleased with the outcome – definitely something I’ll have to revisit in future.

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One place left for the March 2015 Prague masterclass

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Prague

Prague, Czech Republic, 9-14 March 2015 (best suited to urban, architecture and street)
Duration: 6 days, four practical and two classroom
Tuition cost: US$2,300; $2,600 special bundle including Outstanding Images Ep. 1-5 and Intro to PS Workflow
(required, but most participants usually have some or all of these already)

Want to be challenged? Inspired? Push yourself to take your images to the next level? The Masterclasses are aimed squarely at you. They are for the photographer who already understands the fundamentals and is looking at developing their own style, evolving creatively and spending some time with like-minded individuals. The aim is no longer about building core fundamentals by exercises, but to work on vision, the ability to assess and curate one’s work, application of style, postprocessing, and being able to put together a coherent set of images to an objective.

Click here for detailed information, and to book. Testimonials from prior workshops are here. Thanks and see you in Prague! MT

It’s all about light: making mood and strong images in monochrome

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Rush hour

A couple of days ago, we looked at the inexact science of color and emotion: I don’t think anybody is going to argue that the mood and feeling of an image is influenced heavily by the dominant color palette, both in terms of the color of incident/reflected light and the color of the subject elements themselves. But how does this translate to black and white images? Obviously, it’s very possible to do since not every monochrome image feels the same. Even within the same sort of general lighting – say low key – it’s possible to produce variations in mood. How?

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