Last day for Autumn in Tokyo Ultraprints

mar14 autumn in tokyo contact sheet

A gentle reminder that today is the last day for the Autumn in Tokyo Ultraprint sale. As usual, the edition size is very limited and these images will not be printed again at this size. For more details and to order, please click here. Thanks! MT

Inaugural Ultraprint sale: the Autumn in Tokyo portfolio

mar14 autumn in tokyo contact sheet

After the last few articles on pushing print limits, it’s about time you had the chance to experience them in person. I’m pleased to announce the inaugural Ultraprint sale – once again, these images will be extremely limited, and again will not be printed again in this size/ format once the sale closes on 31 March 2014. Read on for details.

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Introducing the Ultraprint

_8047823What you are seeing is not a capture or printing error. The irregular inner concave surface of the moon is due to variations in depth from craters; the moon itself is in the very extremes of Zone X in the actual image, yet there is still tonal separation present in the print.

Following on from my earlier article on pushing print limits, I’d like to show you the fruits our labour: the Ultraprint. I think the above image pretty much says it all: that is a photograph of the actual print, with a ruler for comparison. Scale markings are in millimetres, as shown.

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Interview: Printmaster Wesley Wong, part two

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The master at work.

Continued from the first half of the interview yesterday with printmaster Wesley Wong.

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Interview: Printmaster Wesley Wong, part one

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Today’s post is a little different: following on from the excellent reception given to my interview with Nick Brandt, and my current focus on pushing print limits, it is high time we heard from the print master himself – Wesley Wong. I can say plenty about the process, but there are a lot of areas in which is expertise greatly outstrips my own. I also strongly believe that he is an integral part of the artistic process of bringing an image to its final form, and that my print buyers – thank you – would also enjoy meeting the man, albeit virtually. It’s a lengthy discourse as there’s a lot of ground to cover, so the interview will be split into two parts. Read on…

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Pushing print limits

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In the next few days, this image will make sense. This article will be the beginning of an intensive series focusing on printing and output.

Let’s again start with the simple question of ‘how many of you print’? For those that do, inevitably, your development is going to look something like this:

  1. Make your first print – marvel at how different it looks to the screen version
  2. Make larger prints, start to note that the detail still holds and in fact you’ve got much more resolution than you actually need even for the largest prints you’re willing to pay for/ have space to hang
  3. Pause for a moment and then decide to try making your own prints because it’s cheaper and more convenient
  4. Buy a home photo inkjet, find that it takes half a dozen tries to get one good print, add up the costs and find that ink and paper will bankrupt you in short order; worse still, lab results are still better
  5. Stop printing for a while
  6. Go back to using the lab because your print heads have clogged and the ink has dried up, and it would be cheaper to buy a new printer than replace the cartridges and heads and you really don’t want to go down that route again…
  7. Find a better lab – assuming you’re not happy with what you’re getting
  8. Start to wonder what you’re going to do with all of these 24×36” prints; you have rolled up tubes and prints all over your house
  9. Abandon printing or start selling your prints so you can make more prints
  10. Start wondering what’s next?

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One day left for ‘Only The Clouds…’ + Verticality IV prints…

_8041831 copy Verticality IV
Only the clouds are truly free… and Verticality IV

Thank you all for the great response so far! A gentle reminder: one day left to order Only the clouds are truly free or Verticality IV; available at 24×16″ (edition of 35) and 10×15″ (edition of 50) sizes – click here for more details and to order. 

The run will close on 31 December 2013, and we’ll print and ship in early January 2014.

Thanks again for the support! MT

Update: there plenty left at the smaller 10×15″ and 12×12″ sizes, but only a few of each at 16×24″ and 20×20″; I admit this is not what I expected. :)

Last (special) print run of the year

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Only the clouds are truly free…

Firstly, thank you for all of the compliments, emails, likes and shares on this image – surprisingly far more than even the most popular gear review. Thank you also for the support for the last two runs, and all of the recent enquiries via email on prints of this image; it’s because of this that I’m pleased to offer one final print sale for 2013…read on to order and for more details.

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One day left to buy the Europe 2013 Limited prints…

Nov 2013 print run thumbs

Following on from the success of the first print run – thank you everybody for your support – I promised that it would be the first of many. So, without further ado, I’m pleased to announce sales for the next one open!

Once again: I will only print these images once, at this size. Ever. Once this run is complete, there will be no more prints. To sweeten the deal, one buyer is going to win an additional print of their choice, free of charge.

Interested? More info and ordering links here.

Limited print run: Europe 2013

Nov 2013 print run thumbs

Following on from the success of the first print run – thank you everybody for your support – I promised that it would be the first of many. So, without further ado, I’m pleased to announce sales for the next one open!

Once again: I will only print these images once, at this size. Ever. Once this run is complete, there will be no more prints. There’s a little bonus here, too…

UPDATE (16 November) – It’s now the 17th in all timezones, so the print sale is now closed. To all those who’ve ordered, thanks for your support, and we’ll be printing and shipping early next week before I leave for Tokyo. :)

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