FD Photoessay: Early large format landscapes

_8048439-46 copy

These photoessays will have far fewer images than the usual variety, simply because the number of images taken is necessarily lower. I’ll shoot perhaps 12 frames in a productive day. To confess, I’ve actually been hesitating a little over whether to post these at all, because even though the loss from print to screen is enormous, there’s an even bigger loss between full digital files to web. There is simply no way to represent them in such a way that doesn’t throw away most of the tonal subtlety and immersive detail. I’ll do it anyway, for the curious. But upfront I will say that something is definitely missing…there’s a ‘digitalness’ to the images at this size that isn’t present in the full size images; I suspect it’s because once you shrink an image this much a lot of the subtle tonal and microcontrast cues that say ‘film’ are downsized into oblivion. Just so you know: you’re looking at an image that’s been reduced to about 0.5% of the original size. MT

[Read more...]

Photoessay: Avril Lavigne, live in Kuala Lumpur

_1010536 copy

Here’s something you probably weren’t expecting from me. Though I’ve shot concerts on assignment before (here, for instance) I don’t tend to go very often as a fan, simply because I don’t have the time, and even if I did, most of the acts I’d want to listen to don’t come to Kuala Lumpur.

[Read more...]

Now available: Making Outstanding Images Episode 4&5: Exploring Style!

I’m pleased to announce the final two videos in the Making Outstanding Images workshop series: Exploring Style and Processing for Style are now available for instant download!

[Read more...]

Photoessay: Tokyo, on the move

_2K00270 copy
The taxi

Unusually for me, I shot very little monochrome on my last trip to Tokyo. Almost none at all, in fact. I suspect it was partially due to equipment choice – the Hasselblad’s digital back really excels at reproducing accurate color – that made me want to explore the use of color even more. Either that, or it was the subtle subconscious influence that Saul Leiter’s work has been having on me. His color was not at all accurate, but rather both pleasing and very evocative of an emotion or era; maybe because of the tonal shift, maybe because of the conscious choice of palette.

[Read more...]

What makes a ‘good’ lens? (part II)

_6001407 copy

This might seem like a very obvious question, but the moment you try to define a set of criteria to quantify ‘good’, you soon realize there’s quite a lot more to lens performance than immediately meets the eye. So, for those of you without the ability to try a large number of lenses – let alone samples of the same lens – how do you know if the one you’ve got is ‘good’?

Continued from part I.

[Read more...]

What makes a ‘good’ lens? (part I)

_1M01078 copy

This might seem like a very obvious question, but the moment you try to define a set of criteria to quantify ‘good’, you soon realize there’s quite a lot more to lens performance than immediately meets the eye. So, for those of you without the ability to try a large number of lenses – let alone samples of the same lens – how do you know if the one you’ve got is ‘good’?

[Read more...]

You probably weren’t expecting this: Ming Thein is now on instagram.

mtig

I’m willing to bet that none of you saw this coming. I haven’t lost it, and I’m not about to touch any filters with a long, long barge pole, but there is method behind the madness. If you’re on instagram already, I’m here or @mingthein.

Conversely, if you’ve come here for the first time from Instagram, you’ll need to know a few things: I’m against filters, I care about the last nth degree of image quality, and I take my photography very, very seriously.

[Read more...]

Photoessay: Random household objects in monochrome

_1M00754 copy
The hand

In an ideal world, the art of seeing and composition should be independent of one’s surroundings, subjects or location. Or at very least, one should attempt it. Even though it’s almost always easier for us to previsualize compositions when we are in an unfamiliar or new environment – that which is different always stands out the most – it’s good practice to see what can be found closer to home. I like to give myself this challenge on a fairly regular basis to keep things fresh; after all, if you can find a new and compelling image in a very familiar situation, it’s all the more likely you’ll be able to make one when you’re on assignment or travelling.

[Read more...]

Being a photographer is an attitude

_5029720 copy
There are a lot of people here. A few are taking pictures. How many of them are really photographers?

The media, commercial entities – camera companies, software companies, cellphone companies – are all trying to convince us that anybody can take great pictures, and is therefore a photographer. Right and wrong, I think. Being a photographer is far more than equipment, more than luck, more than intuition, more than practice…it’s an attitude.

[Read more...]

Transcending the process

_G003871 copy

The final article in this series on printing leaves behind the technique and even the images to consider a far deeper philosophical consideration: art vs. the process vs. the result. To make a successful image, there are three primary considerations: the idea, the execution, and the display medium. Most photographers struggle to manage more than one of these – there are a lot of people who are very good at shooting brick walls and test charts and can remember ever single custom function of their cameras, but cannot compose at all. Similarly, there are a lot of people who point and shoot with their phones but are quite gifted compositionally; yet they are frustrated by their inability to capture what they imagine. And both groups almost never think about how the finished work is to be presented and viewed.

[Read more...]

Follow

Get every new post delivered to your Inbox.

Join 23,975 other followers

%d bloggers like this: