Why I must do all the things I do

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I struggled to find an appropriate image to go with this article. I think this works, though: firstly, it was shot with an iPhone, on an occasion I could not foresee doing any photography. But having an open mind and an active eye meant that I saw it; experience/ practice meant that I could make do with the bare minimum, and enjoying cigars meant that I was in the right place at the right time to begin with. All will be explained towards the end of the article…

Don’t worry. Despite the slightly off-topic title, it’s very much a post about photography. This isn’t a moment of existential angst, but rather a clarification of purpose. It isn’t quite the same as article on Why We Photograph from some time ago; it’s far more personal than that. On reflection, I think it’s very important to understand the motivations behind certain things so that a) we might do them better and b) we avoid doing things we don’t enjoy. Especially when there’s a choice.

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Photoessay: Isolation in Tokyo

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The more time I spend in places like Tokyo – big cities, specifically – the more I get the impression that people fight harder and harder to maintain their own personal space; it’s almost as though there’s some strange inverse law that dictates the smaller the available physical space for each individual, the greater the social gulf between them. Cities seem to have become a collection of people who mostly happen to live together for reasons of convenience rather than community; this is visible in the lack of any sort of pride or loyalty in its inhabitants; it’s every man and woman for themselves. Perhaps the internet is partially to blame; we no longer have to actually know our neighbours and live with them; if we don’t like the people who immediately surround us, there are plenty of online communities full of others who are closer in interest – hell, this site is one of them. [Read more...]

Discussions: MT x Lloyd Chambers on the Pentax 645Z and Nikon D810

Today’s post is going to be a little bit of an experiment: the first in I hope a series of discussion-collaborations with Lloyd Chambers of diglloyd.com, respected technical expert and all round good guy. We’re covering the Pentax 645Z and Nikon D810 and a whole bunch of other diversions for the kickoff…I do realise it’s a bit lengthy, but this is probably the closest you’re going to get to being in the conversation. Let us know what you think!

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Photoessay: People and cars, Havana

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1957

In the modern age, the car is a machine, a tool, something utilitarian. Features are added to meet regulations or to make you spend your money on something slightly better than what you had, or so Brand A can win a spec sheet comparison against Brand B. There’s very, very little soul; whatever little there is has to be engineered in. I don’t think this is the case with cars that are 50, 60, even 70+ years old; even if they had no soul to begin with, over the years they’ve certainly acquired patina, and with it, a history.

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Conscious exclusion

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Including everything: too much to focus on just the stairs. But since the objective was to show the mess/ busyness, it’s just enough. Think carefully: what do you need?

We almost always discuss composition and framing in terms of putting things in to the frame: on further contemplation, I don’t think that’s correct or accurate at all. The act of composition is in fact the complete opposite. And embracing that can lead to some surprising shifts and improvements in one’s compositions.

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Film diaries: why we shoot film and digital differently

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Irrespective of format and camera, there’s definitely a difference in the way we shoot film vs digital: a lot of comments from an earlier article examining the economics of shooting both media to a similar output standard suggested that this is the same for a lot of other photographers, too. We may not feel qualitatively that there’s much of a difference, but the higher keeper rate suggests the complete opposite. I think I have figured out why this is the case – at least for me – and beyond that, what we can take away from the process to improve our images – independent of the medium.

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From stills to motion: my experience

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I could get used to this.

A few weeks ago, I made my little directorial debut in the form of a TV commercial for Nissan. Unusually for this industry, there was no agency involved; I developed the board with the client and we dealt directly. I suppose that’s also how I landed up being director. The dust has settled, the post-shoot euphoric rush has somewhat calmed down, and I’m now able to put some coherent thoughts together on the whole experience and what it means for my career in the long term.

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Photoessay: Melbourne street color

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A self portrait in layers

I’ve unquestionably been heavily influenced by Saul Leiter of late, and more specifically his treatment of color and use of foregrounds/ reflections to create abstraction. Combine that with my normal cinematic approach to color and the somewhat more ‘controlled’ shooting mindset that working with the Otus forces results in a rather interesting set of images. Even if not all of them were shot with the Otus – I used the GR for the balance – the way I’m shooting remains the same. My ongoing studies of the abstraction of man take a step back: here, I think I needed stronger human subjects to make the compositions work. Enjoy! MT

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Photoessay: Klang Valley MRT work in progress, part II

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We continue with the tunnel borers – this time reverting to monochrome for the aboveground portion of the monochrome documentary (underground was here here, focusing on the workers). A sense of scale is needed to appreciate the extent of the project, and this was the purpose of these images. I shot this with a mix of equipment over an extended period of time – mostly Nikon D800Es, however. Enjoy! MT

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Photoessay: Klang Valley MRT work in progress, part I

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Today’s photoessay follows on from the last On Assignment; it’s the aboveground portion to the earlier underground portion focusing on the workers. A sense of scale is needed to appreciate the extent of the project, and this was the purpose of these images.

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