On a recent assignment in Switzerland, I had the occasional break, and the even more occasional bit of interesting weather – fog or sun, it was either 5 C or 25 C with nothing in between – so I made the most of it by doing a spot of landscape work. I was surprised to discover that the Swiss countryside in summer really does look like the postcards – intensely blue skies, emerald meadows, and lots of cows. It’s positively bucolic, but in a good way.
Landscape photography is tough without a car or sufficient time to do some hiking. Part of the time was spent outside Geneva in the very scenic Vallee du Joux, home to a number of the old watchmaking manufactures. The big body of water is the Lac du Joux, which is as still as a mirror in the early mornings, but can get quite choppy once the mid-afternoon breezes start to blow. I’m told that as idyllic as it seems in summer, it hits -20 C at times in winter, and there’s nothing to see but white. I suspect I might have some problems with the small buttons on the OM-D in that weather, though.
This was the second time I’ve used Zeiss lenses on M4/3 – I actually find the ZF2s work better than the ZMs because they’re mostly telecentric designs. The 21/2.8 is particularly good, actually – it has very refined contrast that the Panasonic 20/1.7 lacks. (You’re probably wondering why I didn’t use that lens – I can put the 21 on the D800E and the 85 on the OM-D, swap them, and have a very nicely spaced set of 21, 42, 85 and 190mm I still maintain that so far, the best color I’ve seen comes from Olympus bodies and Zeiss lenses…now if only they’d make some M4/3 AF glass. Preferably a fast 28mm equivalent…MT
This series was shot with an Olympus OM-D, Panasonic 20/1.7, Zeiss ZF.2 21/2.8 Distagon and ZF.2 85/1.4 Planar via adaptor.
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