The sea is one of those odd subjects – like the sky – that’s seemingly full of infinite variation, but at the same time is instantly identifiable for what it is. I could take a thousand images of the sea, and none of them would be the same – but you’d know instantly that it was the sea. Even if the processing was the same, which I’d never do because it’d be boring.
What you don’t immediately notice here is that to achieve this perspective, the shot was taken at 14mm and just inches above the water, about 30m away from the beach and out to sea. (Interestingly, the EXIF data records the subject as being 4.3 billion meters away – I’d say that’s infinity, and in fact, further away than the moon.) Not exactly the least hazardous environment for photographic equipment! I suppose the only reason I even attempted this series was the relatively low cost of the equipment at risk; no way would I do it with an M9, for instance. I didn’t take anything heavier in the way of photographic equipment because it was meant to be a break. But at the same time, I don’t think I’d be able to truly relax unless I knew I had the ability to make the shot if the opportunity arose.
Sometimes we need time in a different physical location to reset our seeing process, if nothing else. MT